"Postlude" by Jerry Fielding had its release date on 1978. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Postlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Gauntlet - Original Soundtrack". In this album, this song's track order is #10. Postlude is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Postlude by Jerry Fielding having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where No Man Has Gone Before - Main Title | Alexander Courage | F♯ Major | 5 | 2B | 77 BPM | ||
| Dirge and Finale | Jerry Fielding | E Minor | 0 | 9A | 78 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Rawhide | Geoff Love | B♭ Major | 6 | 6B | 112 BPM | ||
| Bleak Bad Big City Dawn | Jerry Fielding | F Major | 4 | 7B | 186 BPM | ||
| The Boys Are Out | James Horner | F Major | 3 | 7B | 139 BPM | ||
| Question Time | Stanley Myers | A Minor | 7 | 8A | 120 BPM | ||
| RIO Bravo - De Guella | Dimitri Tiomkin, Laurie Johnson, The London Studio Symphony Orchestra, The John McCarthy Singers | A Minor | 0 | 8A | 74 BPM | ||
| The Grotto | Original Soundtrack | E♭ Major | 2 | 5B | 80 BPM | ||
| Charmaine - 50th Anniversary / Remastered 2025 | Jack Nitzsche | G Major | 2 | 9B | 86 BPM | ||
| Il Grande Duello (Parte Seconda) | Luis Bacalov | C Major | 1 | 8B | 79 BPM | ||
| In The Next Life - Midnight Run/Soundtrack Version | Danny Elfman | C Major | 0 | 8B | 97 BPM | ||
| Greensleeves And All That Jazz - From "The Italian Job" Soundtrack | Quincy Jones | A Minor | 4 | 8A | 113 BPM | ||
| Mission Impossible - Lalo Schifrin Version / Remastered 1996 | Billy May, Time-Life Orchestra | C Minor | 3 | 5A | 94 BPM | ||
| Theme from "The Swimmer" (Send for Me In Summer) / Big Splash | Marvin Hamlisch | F Minor | 1 | 4A | 76 BPM | ||
| Lonely Room | Hollywood Studio Symphony Orchestra, Adolph Deutsch | A♭ Minor | 2 | 1A | 118 BPM | ||
| Django spara per primo - Seq. 1 / Titoli | Bruno Nicolai | D Major | 3 | 10B | 94 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| The Longest Day | Geoff Love & His Orchestra | C Major | 6 | 8B | 113 BPM | ||
| Main Title - From Russia With Love, 1963 | Sean Connery, John Barry Orchestra | E Minor | 6 | 9A | 125 BPM | ||
| Glenn's Flight | Bill Conti | B♭ Major | 3 | 6B | 139 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Fuga dall'ovest | Bruno Nicolai | G Major | 2 | 9B | 75 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| The Race, First Laps - From The 1971 Original Soundtrack "Le Mans" | Michel Legrand | D Minor | 8 | 7A | 111 BPM |