Rajni Pallavi, Shreya Singh's ' "Shankar Vinay Nirasal" was released on its scheduled release date, July 8, 2022. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Shivarpanam". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Shankar Vinay Nirasal is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Shankar Vinay Nirasal by Rajni Pallavi, Shreya Singh having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaate Kasht Poore Gurdev | Bhai Harpreet Singh ji nawanshahr wale | B Minor | 8 | 10A | 138 BPM | ||
| Sab Rajan Ke Raja | Amritpal Singh Taaj | F Major | 7 | 7B | 151 BPM | ||
| Kanda Mula Bhaji | Ajit Kadkade | B♭ Minor | 7 | 3A | 113 BPM | ||
| Adishakti | Mandar Apte | A Minor | 4 | 8A | 92 BPM | ||
| Ondhaal Gayi Mhanuni-Abhang | Samir Rama Kadam | D♭ Major | 7 | 3B | 138 BPM | ||
| Dil Lagi Jo Kar Qadar | Fozia Soomro | B Major | 5 | 1B | 111 BPM | ||
| Milta Hai Sacha Sukh | Kajal Pandya Gandhi | E♭ Minor | 6 | 2A | 94 BPM | ||
| Mera Aapki Krapa Se Sab Kaam | Paras Jain | E♭ Major | 8 | 5B | 82 BPM | ||
| Nako Haveli Madi | Madhuri Wilson | D♭ Minor | 5 | 12A | 88 BPM | ||
| Om Jai Mahaveer Prabho | Rajendra Jain | G Major | 6 | 9B | 90 BPM | ||
| Naad Lagla Vitthal | Ravindra Khomne | D Major | 5 | 10B | 79 BPM | ||
| Nirgunache Bheti Aale | Godavaribai Munde | B♭ Minor | 6 | 3A | 160 BPM | ||
| Andaman Aani Savarkar | Shantanu Herlekar | D♭ Major | 5 | 3B | 80 BPM | ||
| Maa Ne Ponch Te Garba | Ratan Sinh Vaghela, Damyanti Barot | A Minor | 6 | 8A | 88 BPM | ||
| Aaj Me Akkalkot Pahile | Mahendra Warekar, Ravindra Sathe | A♭ Major | 7 | 4B | 90 BPM | ||
| ALI KE LAAL SE HAI SILSILA REFAI KA | Ar refai, Anis Nawab | B Minor | 6 | 10A | 100 BPM | ||
| Munisubrat Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Sundar Van Me Lat Chhitkaune | Rajni Pallavi | B♭ Major | 7 | 6B | 140 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Bhadra Kali Hamar Kasht | Rajni Pallavi | A Major | 7 | 11B | 95 BPM | ||
| Dulha Sindoor Liyau Hath | Poonam Mishra | A♭ Major | 8 | 4B | 150 BPM | ||
| He Temarvani Aade Re Jo | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Hum Nahin Aaaju Rahab Aehi Aangan | Devi | B♭ Major | 6 | 6B | 110 BPM | ||
| Zuduk Ali Varyachi | Vishal Bawane | D♭ Major | 8 | 3B | 157 BPM | ||
| Aarti Shree Jambh Tumari Jambheshwar Bhajan | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM |