"We Could" by Marlene Beaudry, Dick Nolan had its release date on January 1, 1969. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 12 in Duets by Marlene Beaudry, Dick Nolan. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. We Could is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of We Could by Marlene Beaudry, Dick Nolan is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Since I Met You Baby | The Nightbreakers | E Major | 5 | 12B | 134 BPM | ||
| I'm Here To Get My Baby Out of Jail | The Everly Brothers | E♭ Major | 2 | 5B | 64 BPM | ||
| Pride In Mind | Marlene Beaudry | A Major | 7 | 11B | 98 BPM | ||
| I Don't Really Need You Anymore | Raul Seixas | G Major | 7 | 9B | 89 BPM | ||
| Walk Right Back | Daniel O'Donnell, Mary Duff | A Major | 2 | 11B | 105 BPM | ||
| I'm Gonna Be A Country Girl Again | Buffy Sainte-Marie | C Major | 4 | 8B | 166 BPM | ||
| Heart, We Did All That We Could | Jean Shepard | D Major | 4 | 10B | 108 BPM | ||
| Begging To You | Marty Robbins | E Major | 3 | 12B | 83 BPM | ||
| The Upper Room | Hank Locklin | A Major | 2 | 11B | 96 BPM | ||
| テネシー・ワルツ | Chiemi Eri, 原信夫とシャープス・アンド・フラッツ | F Major | 1 | 7B | 80 BPM | ||
| Don't Touch Me | Jeannie Seely | D Major | 5 | 10B | 70 BPM | ||
| If I Can't Have You | Jeannie Seely | A Major | 2 | 11B | 103 BPM | ||
| Lazy Country Evening | The Judds | A♭ Major | 4 | 4B | 114 BPM | ||
| Cheating Game | Susan Raye | A Major | 4 | 11B | 157 BPM | ||
| A night full of stars | Mabel Aldridge | F Major | 1 | 7B | 80 BPM | ||
| Song Sung Blue | Roger Whittaker | C Major | 4 | 8B | 108 BPM | ||
| Jackson Ain't a Very Big Town | Johnny Duncan, June Stearns | C Major | 4 | 8B | 95 BPM | ||
| Lonely Corner | David Price | E Major | 4 | 12B | 78 BPM | ||
| After The Fire Is Gone | Freddy Fender | D Major | 4 | 10B | 118 BPM | ||
| A Wedding Song | Cathy Viljoen | F Major | 4 | 7B | 90 BPM | ||
| You Make it Easy (To Be True) | David Price | B♭ Major | 4 | 6B | 106 BPM | ||
| Every Time You Sinned | Crispian St. Peters | E Major | 4 | 12B | 105 BPM | ||
| No, Never | Skeeter Davis | D Major | 5 | 10B | 108 BPM | ||
| Sold American (2024 Mix) | Tompall & The Glaser Brothers | F♯ Major | 6 | 2B | 149 BPM | ||
| One Day At A Time | Suzanne Prentice | G Major | 2 | 9B | 144 BPM |