Victor Rathnayake's ' "Ahimi Unath" was released on its scheduled release date, 2014. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Victor Rathnayake's "Golden Melodies Of Victor Rathnayake" album is number 6 out of 20. On top of that, Sri Lanka appears to be the country where this track was created. Ahimi Unath is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ahimi Unath by Victor Rathnayake to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mal Pibidena Eka | Rookantha Gunathilake | D Major | 7 | 10B | 81 BPM | ||
| Hudekala Wiramayai | Asanka Priyamantha | G Minor | 5 | 6A | 137 BPM | ||
| Udarata Kandukara | Chithra Somapala | A♭ Major | 6 | 4B | 153 BPM | ||
| Sarayatiyen Api | Vijaya Kumaratunga | A Minor | 6 | 8A | 100 BPM | ||
| Nawala Annasi | Chandrasena Hetttiarachchi, Chandrasena Hettiarachchi | G Minor | 8 | 6A | 95 BPM | ||
| Daivayogaya | Victor Rathnayake | C Major | 3 | 8B | 125 BPM | ||
| Mammula Wee | Gunadasa Kapuge | F Minor | 2 | 4A | 169 BPM | ||
| Sanda Diya Devuna See | Asanka Priyamantha Peiris, Malani Bulathsinhala | A♭ Major | 6 | 4B | 179 BPM | ||
| Irapaaya | Ananda Perera, Samitha Mudunkotuwa, Victor Rathnayake, Athula Adhikari, Clarence Wijewardena, Sangeeth Wickramasinghe, Latha Walpola, Nirosha Virajini, W. D. Amaradeva | D Major | 4 | 10B | 97 BPM | ||
| Podi Duwage | Somathilaka Jayamaha | G Major | 4 | 9B | 128 BPM | ||
| Alawantha Vidiye | Amarasiri Peiris, Manik Jayasekara, Nirosha Virajini, Malani Bulathsinhala | G Minor | 5 | 6A | 144 BPM | ||
| OBA MA HAMU UNA - Live | Karunarathna Divulgane | A Minor | 2 | 8A | 82 BPM | ||
| Alawantha Veediye | Amarasiri Peiris, Malani Bulathsinhala, Nirosha Virajini, Manik Jayasekara | G Minor | 3 | 6A | 144 BPM | ||
| Kauruwath Naa | Amarasiri Peiris, Malani Bulathsinhala, Nirosha Virajini, Manik Jayasekara | C Minor | 3 | 5A | 86 BPM | ||
| Eka Yaaye | Sunil Edirisinghe | F Minor | 5 | 4A | 158 BPM | ||
| Mal Pipila | Sunil Edirisinghe, Hemalal Geethadeva, Ananda Weerasiri | B♭ Major | 5 | 6B | 180 BPM | ||
| Werala Konaka | Nihal Gamhewa, Prince Udaya Priyantha | C Major | 8 | 8B | 113 BPM | ||
| Sihinen Sihinen - Maa Version | Namal Udugama, Hemasiri Halpita | A Minor | 8 | 8A | 142 BPM | ||
| Jivithe Mage Oya | Priya Suriyasena | F Major | 6 | 7B | 81 BPM | ||
| Ruwan Tharaka | Bandara Athauda, Buddhika Athauda | E Minor | 5 | 9A | 99 BPM | ||
| Ahasa Polowa | Rohana Weerasinghe, Sunil Edirisinghe | D Major | 3 | 10B | 105 BPM | ||
| Heta Dawase | Priya Suriyasena | B Minor | 7 | 10A | 98 BPM | ||
| Nil Tharu Nethu | Chandralekha Perera, Rookantha Goonatillake | E Major | 6 | 12B | 126 BPM | ||
| Sulanga Numba Wage | Karunarathna Divulgane | D Minor | 3 | 7A | 82 BPM | ||
| Taj Mahalak | Rookantha Gunathilake | C Minor | 4 | 5A | 100 BPM |