Devaki Pandit's ' "Kab Raat Aaye Hai" was released on its scheduled release date, November 10, 1994. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Mahesh Kishore's "Ikke Pe Ikka (Original Motion Picture Soundtrack)" album is number 1 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Kab Raat Aaye Hai's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kab Raat Aaye Hai by Devaki Pandit to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atrimunichya Sadni Gheti | Ajit Kadkade, Devaki Pandit | B♭ Major | 5 | 6B | 110 BPM | ||
| Shri Swami Samarth Tarak Mantra | Aarya Ambekar | E♭ Minor | 5 | 2A | 108 BPM | ||
| Zali Phule Kalyanchi | Arun Date | F♯ Minor | 2 | 11A | 168 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM | ||
| Laajun Hasane | Hridaynath Mangeshkar | D♭ Major | 4 | 3B | 147 BPM | ||
| Amrutahuni God Naam Tuze Deva | Manik Varma | A♭ Minor | 4 | 1A | 103 BPM | ||
| Aaj Kal Yaad Kuch Aur Rehta Nahin | Mohammed Aziz | D Major | 6 | 10B | 123 BPM | ||
| Chanchal Sheetal Nirmal Komal | Mukesh, Zeenat Aman, Laxmikant–Pyarelal | A Major | 3 | 11B | 140 BPM | ||
| Rajas Sukumar Madanacha Putala | Bhimsen Joshi | A Major | 4 | 11B | 149 BPM | ||
| Ughadya Punha Jahalya Jakhma Uratalya | Shobha Gurtu | G Major | 4 | 9B | 70 BPM | ||
| Gandh Tujhya Pavalancha (From 'Nanachhand') | Rahul Deshpande, Nilesh Moharir, Nana Patekar | D♭ Major | 3 | 3B | 114 BPM | ||
| Sunayanasunayana - Aa In Nazaron Ko Tum | K. J. Yesudas | E Minor | 5 | 9A | 141 BPM | ||
| Tadap Tadap (From "Hum Dil De Chuke Sanam") | KK, Dominique | A♭ Major | 3 | 4B | 76 BPM | ||
| Jay Dev Jay Dev | Devaki Pandit | A Major | 5 | 11B | 150 BPM | ||
| Pimpalpaan | Suresh Wadkar, Ashok Patki | C Major | 2 | 8B | 145 BPM | ||
| Toch Chandrama Nabhat | Sudhir Phadke | E♭ Major | 2 | 5B | 81 BPM | ||
| Itni Shakti Hamein Dena Data | Ashok Khosla, Murlidhar, Ghanshyam Vaswani, Shekhar Sawkar | D♭ Minor | 4 | 12A | 127 BPM | ||
| Tee Yete Anik Jate | Mahendra Kapoor | A♭ Major | 4 | 4B | 97 BPM | ||
| Bhet Tuzi Mazi | Milind Ingle | F♯ Major | 5 | 2B | 118 BPM | ||
| Thaye Sarkhamani To | Manhar Udhas | F♯ Minor | 5 | 11A | 142 BPM | ||
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Hich Amuchi Praarthana | Mugdha Vaishampain, Ajit Parab | E Major | 3 | 12B | 110 BPM | ||
| Tujhe Dekh Kar Jagwale | K. J. Yesudas | B Major | 4 | 1B | 125 BPM | ||
| Chokher Aaloy | Kishore Kumar | F♯ Major | 5 | 2B | 138 BPM | ||
| Pyar Mein Chhup Chhup Ke Kuchh Aur Hai | Roop Kumar Rathod, Sonali Rathod | C Major | 5 | 8B | 83 BPM |