Paul Sanchez's ' "It Was A Good Day" was released on its scheduled release date, 1998. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. It Was A Good Day's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wasted Lives & Bluegrass by Paul Sanchez. The song's track number on the album is #16 out of 16 tracks. Based on our statistics, It Was A Good Day's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since It Was A Good Day by Paul Sanchez has a tempo of 156 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With It Was A Good Day being at 156 BPM, the half-time would be 78 BPM with a double-time of 312 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Going! Going! Gone | The New Orleans Jazz Vipers | B Minor | 5 | 10A | 209 BPM | ||
| Slowly But Surely | James Booker | D Minor | 3 | 7A | 150 BPM | ||
| Ooh Poo Pah Doo, Pts. 1 & 2 | Jessie Hill | A Major | 6 | 11B | 131 BPM | ||
| Gather by the River | Davell Crawford | B♭ Major | 1 | 6B | 132 BPM | ||
| Tee Na Na Na Na Nay | Eddie Bo | B♭ Major | 3 | 6B | 177 BPM | ||
| Mardi Gras Zydeco | Rockin' Sidney | B♭ Minor | 5 | 3A | 154 BPM | ||
| Don't Start With Me | Meschiya Lake and The Little Big Horns | G Major | 4 | 9B | 107 BPM | ||
| Smoke That Fire | The New Birth Brass Band | E♭ Minor | 8 | 2A | 115 BPM | ||
| I've Got Jesus And That's Enough | Darrell Scott, David Scott | C Major | 5 | 8B | 138 BPM | ||
| Too Much Blues | James Booker | F Major | 3 | 7B | 124 BPM | ||
| Joy Comes Back | Rani Arbo & Daisy Mayhem | D Major | 7 | 10B | 147 BPM | ||
| Ice Cream | Preservation Hall Jazz Band | G Minor | 5 | 6A | 110 BPM | ||
| High Society Rag | The Buddy Bolden Legacy Band | A♭ Major | 6 | 4B | 112 BPM | ||
| Injuns, Here They Come | Cha Wa | B♭ Minor | 10 | 3A | 118 BPM | ||
| Let's Get It On | Rebirth Brass Band | A♭ Major | 6 | 4B | 83 BPM | ||
| I'll See You in My Dreams | The New Orleans Jazz Vipers | A Minor | 5 | 8A | 114 BPM | ||
| Just A Closer Walk With Thee | Treme Brass Band | B♭ Major | 3 | 6B | 68 BPM | ||
| Your Mama Don't Know | Nathan & the Zydeco Cha Chas | C Major | 5 | 8B | 134 BPM | ||
| New Orleans Blues | Tom McDermott, Lucia Micarelli | B♭ Major | 3 | 6B | 139 BPM | ||
| When I Get Low I Get High | The Bumper Jacksons | D Minor | 4 | 7A | 131 BPM | ||
| Irish Boy | Paul Sanchez | B♭ Major | 3 | 6B | 139 BPM | ||
| New Orleans Shout | Bourbon Street Jazzband | B♭ Major | 3 | 6B | 96 BPM | ||
| It Don't Pay to Cry / C'est Pas La Piene Braillier | Terrance Simien, The Zydeco Experience | G Major | 8 | 9B | 128 BPM | ||
| Come Let The Good Times Roll | Earl King, Sam Charters | A Major | 6 | 11B | 145 BPM | ||
| New Kind of Funk | Bo Dollis Jr, The Wild Magnolias | C Major | 8 | 8B | 102 BPM |