Alvin Curran, Clark Coolidge, Arlen Coolidge's ' "Maritime Rites: Mine: The One That Enters The Stories" was released on its scheduled release date, January 1, 2004. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 20 in Alvin Curran: Maritime Rites by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Maritime Rites: Mine: The One That Enters The Stories is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Maritime Rites: Mine: The One That Enters The Stories by Alvin Curran, Clark Coolidge, Arlen Coolidge is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhapsody of Only One | Zion Lambert | C Major | 3 | 8B | 116 BPM | ||
| Bewitched, Bothered and Bewildered (Take 3) | Richard Rodgers, Alvin Curran | C Major | 3 | 8B | 102 BPM | ||
| Jane 13 | Harold Budd | D♭ Minor | 0 | 12A | 77 BPM | ||
| Piano & Violoncello 8 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 174 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Bay Area 1 | Alvin Curran | D♭ Major | 6 | 3B | 107 BPM | ||
| Moonlight | Masayoshi Fujita | F Minor | 2 | 4A | 85 BPM | ||
| Wholesome Us | Anica Popovic | C Major | 1 | 8B | 78 BPM | ||
| The Lazy Song II | BEABEE | C Major | 1 | 8B | 78 BPM | ||
| Essene Hymn | Thomas de Hartmann | C Minor | 0 | 5A | 100 BPM | ||
| Aurora | Jon Hassell | D Major | 1 | 10B | 91 BPM | ||
| Minipulsars, Pt. 2: Bing 1 | Tomasz Trzcinski | A♭ Major | 4 | 4B | 128 BPM | ||
| Costing Much - Instrumental | RexRay | B♭ Minor | 3 | 3A | 96 BPM | ||
| Resonance, Episode 10 | Tomasz Trzcinski | C Major | 1 | 8B | 74 BPM | ||
| Márta's Ligature | György Kurtág | C Major | 1 | 8B | 78 BPM | ||
| Anytime Soon | Christian Erik Frederickson, Rachel's | C Major | 0 | 8B | 63 BPM | ||
| Mio Jeone | Thelma | C Major | 1 | 8B | 78 BPM | ||
| Facing North: Northern Lights 1 | Meredith Monk, Robert Een | B Minor | 0 | 10A | 76 BPM | ||
| Negative Snow | Taylor Deupree | A Major | 4 | 11B | 115 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| As Time Goes By (Final) | Herman Hupfeld, Alvin Curran | F Minor | 5 | 4A | 72 BPM | ||
| Echoes of Silence | Saint Matthew Church of Administration | C Major | 2 | 8B | 148 BPM | ||
| Piano Piece 1952 - Version 2 | Morton Feldman, Murcof, Vanessa Wagner | D♭ Major | 3 | 3B | 63 BPM | ||
| Smygkatt | Shida Shahabi | B♭ Major | 0 | 6B | 48 BPM | ||
| Riding Through Drinking Harpo Dine | Eliza McCarthy | C Major | 2 | 8B | 153 BPM |