"Shadow's Final Edge" by Nicolas Errera had its release date on September 15, 2025. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Shadow's Final Edge's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The shadow's edge (Original Motion Picture Soundtrack)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from France. Based on our statistics, Shadow's Final Edge's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Shadow's Final Edge by Nicolas Errera having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Un final tan triste | Alejandro Amenábar | A Minor | 2 | 8A | 128 BPM | ||
| What's Going Wrong ? | Nicolas Errera | D Minor | 4 | 7A | 140 BPM | ||
| Redemption | Nicolas Errera | E Minor | 1 | 9A | 153 BPM | ||
| Elysian Nocturne | Elena Vesova | G Minor | 0 | 6A | 81 BPM | ||
| I Had A Compass From Denys (Karen's Theme II) | John Barry | D Minor | 2 | 7A | 86 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| Becoming a Geisha | John Williams, Yo-Yo Ma, Itzhak Perlman | A Minor | 4 | 8A | 120 BPM | ||
| Micol racconta | Andrea Guerra | G Major | 0 | 9B | 71 BPM | ||
| Gone with Leaves | Tan Dun, Itzhak Perlman, Kodo | B♭ Major | 4 | 6B | 88 BPM | ||
| Elegant Classical Strings | Rafael Krux | D Minor | 4 | 7A | 110 BPM | ||
| Distance | Tofik Mikayilzade, MirBala | D Minor | 1 | 7A | 101 BPM | ||
| The Baby-Sitter | Francis Lai Orchestra, Francis Lai | G Minor | 1 | 6A | 150 BPM | ||
| I Want to Marry Her | Nicolas Errera | B♭ Major | 2 | 6B | 118 BPM | ||
| Longing | Tan Dun, Itzhak Perlman | G Minor | 1 | 6A | 85 BPM | ||
| A Family Divided | Panu Aaltio | C Minor | 1 | 5A | 102 BPM | ||
| Great Wall Ensemble (feat. The BBC Concert Orchestra and the UK Chinese Ensemble) | Barnaby Taylor, BBC Concert Orchestra, UK Chinese Ensemble | D Major | 2 | 10B | 104 BPM | ||
| Soli | Nicola Piovani | C Major | 1 | 8B | 97 BPM | ||
| Historico | Emanuela Dellana | E♭ Minor | 2 | 2A | 150 BPM | ||
| Requiem (From "1883: Season 1" Soundtrack) | Brian Tyler, Breton Vivian | C Minor | 1 | 5A | 73 BPM | ||
| Chantajes | Emanuela Dellana | F♯ Major | 2 | 2B | 160 BPM | ||
| Backroom Blood Moon | ZAK CLOUD | F Minor | 2 | 4A | 168 BPM | ||
| Aperture | Perfume of Static | G Minor | 1 | 6A | 150 BPM | ||
| Farewell No. 2 | Shigeru Umebayashi, Bi Xiaodi, Shuai Wang | C Minor | 4 | 5A | 120 BPM | ||
| Fases Nuevas | Nimetas | G Minor | 3 | 6A | 77 BPM |