Les Contes d'Hoffmann: Tu ne chanteras plus? by Jacques Offenbach, Martial Singher, Lucine Amara, Sandra Warfield, Pierre Monteux Song Details

"Les Contes d'Hoffmann: Tu ne chanteras plus?" by Jacques Offenbach, Martial Singher, Lucine Amara, Sandra Warfield, Pierre Monteux had its release date on October 28, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 41 in the song's album "Offenbach: Les Contes d'Hoffmann (Metropolitan Opera)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Les Contes d'Hoffmann: Tu ne chanteras plus?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Les Contes d'Hoffmann: Tu ne chanteras plus? by Jacques Offenbach, Martial Singher, Lucine Amara, Sandra Warfield, Pierre Monteux having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.929 dB
Acousticness: 97%
Danceability: 34%
Energy: 25%
Instrumentalness: 0%
Liveness: 93%
Loudness: 72%
Speechiness: 8%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Tanzerin, Polka francaise, Op. 227	Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich	E♭ Major	2	5B	173 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	113 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Les oiseaux dans la charmille (Chanson de la poupée: Olympia/Choeurs)	Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire	A♭ Major	0	4B	95 BPM
Otto e mezzo	Orchestre de la Suisse Romande	G Major	1	9B	75 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Light Cavalry	Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon	A Major	3	11B	130 BPM
Le carnaval des animaux, R. 125: VII. Aquarium	Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit	A Minor	0	8A	136 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Das Liebesverbot: Overture	Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli	G Major	6	9B	120 BPM
Il pipistrello - Ouverture	Metropolitan Symphony Orchestra, Leonard Mandell	D Major	3	10B	94 BPM
Orchestersuite in D Major, BWV 1068: II. Air	Slovak Philharmonic, Bohdan Warchal	D Major	2	10B	114 BPM
Polonaise in A-Flat Major, Op. 53	Frédéric Chopin, Evgeny Kissin	A♭ Major	3	4B	85 BPM
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)	Renato Cellini, Robert Shaw	A♭ Major	1	4B	168 BPM
Il barbiere di Siviglia: Overture (Sinfonia)	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	1	12B	92 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Danse Macabre, Op. 40	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	G Minor	2	6A	110 BPM
La Traviata: Ouverture	Giuseppe Verdi, Rundfunkorchester Des Südwestfunks, Klaus Arp3	E♭ Major	4	5B	114 BPM
Gianni Schicchi: "O mio babbino caro"	Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti	A♭ Major	1	4B	171 BPM
The Tale of Tsar Saltan: Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	G Major	1	9B	80 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track	Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch	F Major	3	7B	137 BPM
Overture (Suite) No. 2 In B Minor, BWV 1067 : VII. Badinerie	Cologne Chamber Orchestra, Johann Sebastian Bach	B Minor	4	10A	119 BPM
Carnival of the Animals: The Swan	Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason	G Major	1	9B	65 BPM