"Element" by Lustmord had its release date on June 1, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Other". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Turks and Caicos Islands. Element is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Element by Lustmord having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Many Legs | ASKII | C Major | 4 | 8B | 137 BPM | ||
| Todome Select | 高田雅史 | C Major | 1 | 8B | 65 BPM | ||
| Becoming the Void of Nothingness | Raison D'être | C Major | 0 | 8B | 77 BPM | ||
| At The Fox Station | Metal Gear Sound Team, Hiroaki Ooka | C Minor | 5 | 5A | 113 BPM | ||
| Sarapis | In Quantum | A Minor | 2 | 8A | 100 BPM | ||
| Subterranean Winds | Gdanian | D♭ Minor | 3 | 12A | 132 BPM | ||
| Ultra Septima | Monasterium Imperi | E♭ Major | 3 | 5B | 120 BPM | ||
| On Crimson Water | Dead Melodies, Northumbria | G Major | 2 | 9B | 128 BPM | ||
| Lazarus Palace | Desiderii Marginis | E Minor | 2 | 9A | 121 BPM | ||
| Glyphs | Enrico Zavatta | G Major | 4 | 9B | 138 BPM | ||
| Hypogaeum | Kammarheit | F Minor | 1 | 4A | 131 BPM | ||
| Before It Was Known As Sleep | Kammarheit | D♭ Major | 2 | 3B | 125 BPM | ||
| Reunion | Marcel Barsotti | D Minor | 1 | 7A | 96 BPM | ||
| Visual Echoes | Andrew Hulshult | C Major | 1 | 8B | 65 BPM | ||
| De Vermis Mysteriis | Graham Plowman | E♭ Major | 3 | 5B | 89 BPM | ||
| Come Ruin and Rapture | Desiderii Marginis | B♭ Minor | 3 | 3A | 95 BPM | ||
| Uråldrig Sorg | Apocryphos | B Minor | 0 | 10A | 59 BPM | ||
| Rite of Passage | Council of Nine | C Major | 2 | 8B | 86 BPM | ||
| Ones Atop the Unknown | Apocryphos, Atrium Carceri, Kammarheit | D♭ Major | 1 | 3B | 81 BPM | ||
| The Basalt Massif | Gustaf Hildebrand | B Minor | 3 | 10A | 118 BPM | ||
| Fog (Remastered) | Randal Collier-Ford | G Minor | 2 | 6A | 66 BPM | ||
| Overture Bells | Inade | E♭ Major | 4 | 5B | 62 BPM | ||
| Zzzz Best | Melvins, Lustmord | A Major | 2 | 11B | 92 BPM | ||
| Withered Regions | New Risen Throne | D Major | 4 | 10B | 84 BPM | ||
| Antenna | Cities Last Broadcast | A Major | 5 | 11B | 77 BPM |