Russ Freeman & The Rippingtons, Steve Reid, Tony Morales, Kim Stone, Tom McMorran's ' "The Best Is Yet To Come" was released on its scheduled release date, January 1, 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Sahara". In this album, this song's track order is #7. In terms of popularity, The Best Is Yet To Come is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Best Is Yet To Come by Russ Freeman & The Rippingtons, Steve Reid, Tony Morales, Kim Stone, Tom McMorran having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smooth Path | Central Paradise | F Major | 6 | 7B | 90 BPM | ||
| His Gentle Heart | Hiroshima | G Major | 4 | 9B | 67 BPM | ||
| Nite Bloom | Tom Scott | F Minor | 3 | 4A | 116 BPM | ||
| Spirits In The Canyon | Russ Freeman | G Major | 6 | 9B | 97 BPM | ||
| Mambo To The Moon | Tom Grant | B♭ Major | 8 | 6B | 154 BPM | ||
| South Of Market | Joyce Cooling | C Major | 6 | 8B | 110 BPM | ||
| Rhodes in the Rain | Aurelia Wave | F Major | 5 | 7B | 86 BPM | ||
| All My Children | Flim & The BB's | D♭ Major | 2 | 3B | 80 BPM | ||
| Minor Mood Machine | Hard Bop Electric | G Minor | 4 | 6A | 107 BPM | ||
| Autumn Lamps | Aurelia Wave | F Major | 5 | 7B | 86 BPM | ||
| Bedroom Eyes | Kilauea, Daniel Ho | D Minor | 4 | 7A | 94 BPM | ||
| At World's Edge (Instrumental) | Philippe Saisse | C Major | 3 | 8B | 135 BPM | ||
| Shine On | The Sax Pack | C Minor | 7 | 5A | 120 BPM | ||
| Espirrito | Shakatak | G Major | 9 | 9B | 95 BPM | ||
| Into You | The Rippingtons | D Major | 5 | 10B | 98 BPM | ||
| Under A Spanish Moon | Tom Gannaway | B Minor | 5 | 10A | 96 BPM | ||
| Freeway Jam | Brian Tarquin | C Major | 6 | 8B | 100 BPM | ||
| In the Shade | Birds of a Feather | B Minor | 5 | 10A | 188 BPM | ||
| Two Way Street | Eliane Elias | B♭ Minor | 6 | 3A | 111 BPM | ||
| Seasons | Dancing Fantasy | E♭ Major | 6 | 5B | 80 BPM | ||
| While My Guitar Gently Weeps | Russ Freeman & The Rippingtons | F♯ Major | 7 | 2B | 121 BPM | ||
| Magic World | Steve Oliver | A Major | 7 | 11B | 95 BPM | ||
| Darlin Darlin Baby | Brian Tarquin | B Minor | 9 | 10A | 109 BPM | ||
| She Wore Diamonds | Kilauea, Daniel Ho | F♯ Minor | 5 | 11A | 96 BPM | ||
| When Dreams Come True Again | Dancing Fantasy | F Minor | 7 | 4A | 80 BPM |