On August 9, 2024, the song "Concerto per mandolino in G Major: II. Largo (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. This song appears to be safe for all ages as it is not explicit. The song is number 19 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo flute by Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerto per mandolino in G Major: II. Largo (Recomposed by Luca Astolfoni Fossi) is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concerto per mandolino in G Major: II. Largo (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Sonate e partite: No. 51, Larghetto | Francesco Lecce, Vincenzo Bianco | A♭ Major | 1 | 4B | 168 BPM | ||
| Concerto Grosso in G Minor after Corelli, Op. 5, No. 5: II. Vivace | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 115 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Violin Concerto in A Major, DunL 1.5: III. Allegro - Andante - Allegro | Pietro Locatelli, Europa Galante, Fabio Biondi | A♭ Major | 1 | 4B | 123 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Sonata for Flute and Violin, Op. 51 No. 2: IV. Gigha - Performed on Recorder | Joseph Bodin de Boismortier, Lucie Horsch, Rachel Podger | E♭ Major | 0 | 5B | 72 BPM | ||
| Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | F Major | 1 | 7B | 101 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: I. Grave – Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | A♭ Minor | 1 | 1A | 88 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| Mystery Sonata No. 10 "The Crucifixion": I. Prelude | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Concerto grosso in C Minor Op. 6, No. 3: III. Grave | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Minor | 2 | 12A | 81 BPM | ||
| Concerto Grosso in E Minor, Op. 1, No. 4: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 159 BPM | ||
| Sonate e Partite: No. 21, Allegro cantabile (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
| Mystery Sonata No. 6 "Christ on the Mount of Olives": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Trio in E-Flat Major, TWV 42:Es1: IV. Allegro | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | D Major | 3 | 10B | 100 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Oster-Oratorium, BWV 249: Adagio | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | G Minor | 1 | 6A | 116 BPM | ||
| Sonata Quinta in E Minor: II. Courente | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | E♭ Minor | 2 | 2A | 90 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Sonate e Partite: No. 39, Allegro grazioso | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
| Harpsichord Concerto No. 4 in A Major, BWV 1055 (Adapted for Oboe d'amore, Strings and Basso continuo): II. Larghetto | Johann Sebastian Bach, Albrecht Mayer, Berliner Barock Solisten | N/A | N/A | N/A | 0 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM |