二葉あき子's 'フランチェスカの鐘' had a release date set for April 1, 1994. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 二葉あき子全集, so we believe that "フランチェスカの鐘" is a single. In terms of popularity, フランチェスカの鐘 is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of フランチェスカの鐘 by 二葉あき子 is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 俺は海の子 | Yuzo Kayama | G Major | 3 | 9B | 85 BPM | ||
| 勇気あるもの | Sayuri Yoshinaga, トニーズ | A Minor | 4 | 8A | 114 BPM | ||
| ヤングBee | HIS | D Major | 3 | 10B | 96 BPM | ||
| あの娘のために死ぬんだぜ | 渡 哲也 | F Minor | 4 | 4A | 107 BPM | ||
| 夜霧よ今夜もありがとう | Akira Nishikino | B♭ Major | 2 | 6B | 113 BPM | ||
| Koi wa Onna no Inochi no Hanayo | Masako Mori | A Major | 3 | 11B | 91 BPM | ||
| お座敷小唄 - Live at 京都BELAMI / 1970.7.16-18 | Chiyo Okumura | A Minor | 6 | 8A | 140 BPM | ||
| 隣組 | 徳山たまき | C Major | 2 | 8B | 104 BPM | ||
| 野球小僧 | 灰田勝彦 | A♭ Major | 4 | 4B | 118 BPM | ||
| 涙の三人旅 | 二葉あき子 | C Minor | 1 | 5A | 92 BPM | ||
| 東京ラプソディー | Fujiyama Ichiro | D Major | 4 | 10B | 124 BPM | ||
| 元寇 | 三浦洸一, 東京混声合唱団 | G Major | 5 | 9B | 117 BPM | ||
| 東京アンナ | Yoshiko Ootsu | G Minor | 5 | 6A | 86 BPM | ||
| 砂に消えた涙 | Jun Mayuzumi | A♭ Major | 3 | 4B | 99 BPM | ||
| 月の法善寺横町 | Takeo Fujishima | A Minor | 3 | 8A | 133 BPM | ||
| コンドルは飛んで行く | Fubuki Koshiji | E♭ Major | 1 | 5B | 77 BPM | ||
| 恋のなごり | Tomoko Ogawa | C Minor | 6 | 5A | 122 BPM | ||
| 白い花の咲く頃 | 岡本敦郎 | D Minor | 3 | 7A | 113 BPM | ||
| 港が見える丘 | 平野愛子 | E♭ Major | 2 | 5B | 87 BPM | ||
| バラのルムバ | 二葉あき子 | C Major | 4 | 8B | 146 BPM | ||
| くちなしの花 | Ryotaro Sugi | A Minor | 3 | 8A | 96 BPM | ||
| Love is Blue | Shizue Abe | B♭ Minor | 3 | 3A | 77 BPM | ||
| 湖愁 | 松島アキラ | C Minor | 3 | 5A | 124 BPM | ||
| 男と女のお話 | 日吉ミミ | B Minor | 4 | 10A | 117 BPM | ||
| ラ・ノビア | Peggy Hayama | B♭ Minor | 2 | 3A | 147 BPM |