Rajendra Mehta's ' "Tanhai Ki Keemat - Live" was released on its scheduled release date, January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in An Evening With Nina & Rajendra Mehta Vol. 1 by Nina Mehta, Rajendra Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Tanhai Ki Keemat - Live's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tanhai Ki Keemat - Live by Rajendra Mehta is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chura Le Na Tumko Ye Mausam Suhana | Suman Kalyanpur, Mukesh | D Major | 5 | 10B | 80 BPM | ||
| Do Din Ki Jawani - Adalat / Soundtrack Version | K. J. Yesudas | F♯ Minor | 7 | 11A | 146 BPM | ||
| Dharti Meri Mata Pita Aasman | Jaspal Singh | D Major | 7 | 10B | 89 BPM | ||
| Jap Le Hari Ka Naam | Nina Mehta, Rajendra Mehta | D Major | 3 | 10B | 111 BPM | ||
| Ni Sultana Re | Lata Mangeshkar, Mohammed Rafi, R. D. Burman | D Major | 3 | 10B | 88 BPM | ||
| Jiska Koi Nahin Sad | Manna Dey, Kalyanji-Anandji | C Major | 4 | 8B | 146 BPM | ||
| Aye Mohabbat Teri Dastan | Anuradha Paudwal, Laxmikant–Pyarelal | A Minor | 6 | 8A | 100 BPM | ||
| Hum Dard Ke Maron Ka | Talat Mahmood | D Major | 5 | 10B | 106 BPM | ||
| Voice Over And Watan Ki Raah Mein | Seema Alimchandani, Mohammed Rafi, H Khan Mastana | B Major | 4 | 1B | 109 BPM | ||
| Salaam Seth Salaam Seth | Anu Malik | A Minor | 7 | 8A | 101 BPM | ||
| Shair Bana Diya | Anwar Hussain, Laxmikant–Pyarelal | C Major | 3 | 8B | 63 BPM | ||
| Titli Udi Ud Jo Chali | Sharada, Shailendra | F♯ Minor | 8 | 11A | 127 BPM | ||
| Jawani Ki Rail Kahin Choot Na Jaye - Coolie / Soundtrack Version | Shabbir Kumar, Laxmikant–Pyarelal, Anand Bakshi | G Minor | 7 | 6A | 167 BPM | ||
| Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM | ||
| O Mere Khwabon Ke Shehzade | Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 98 BPM | ||
| Faza Bhi Hai Jawan - Pt. 1 and Ii | Salma Agha | B♭ Major | 4 | 6B | 146 BPM | ||
| Goria Ho Goria | Vani Jairam, K. J. Yesudas | F♯ Minor | 6 | 11A | 104 BPM | ||
| Jaisi Karni Waisi Bharni (Sad Version) - Male Version | Nitin Mukesh | A Minor | 3 | 8A | 146 BPM | ||
| Chandni Aai Ban Ke Pyar | Shamshad Begum, Shakeel Badayuni | D Major | 4 | 10B | 88 BPM | ||
| Be-wafa Bewafa Nahin Hota - Live | Rajendra Mehta | E Minor | 5 | 9A | 151 BPM | ||
| Tum Itni Sundar Ho | K. J. Yesudas, Preeti Sagar | A Major | 5 | 11B | 110 BPM | ||
| Dil Se Niklegi | A.R. Rahman, Sukhwinder Singh, Sameer Anjaan | A Major | 1 | 11B | 92 BPM | ||
| Vijayee Vishwa Tiranga Pyara | Gourav, Vikas, Seema Mishra, Samarjit | G Minor | 4 | 6A | 177 BPM | ||
| Apne Liye Jiye To Kya Jiye | Manna Dey | F Major | 5 | 7B | 101 BPM | ||
| Pital Ki Mori Gagri | Parveen Sultana, Minoo Purushottam | D Major | 4 | 10B | 80 BPM |