On 1986, the song "The Fat Old Lady With The Mini Sweets" was released by Ann Rachlin. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The Nutcracker - The Story Of The Ballet". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, The Fat Old Lady With The Mini Sweets's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Fat Old Lady With The Mini Sweets by Ann Rachlin having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alice Poems: No. 1, Jabberwocky | Alan Ridout, Richard Baker, Coull Quartet | A Minor | 2 | 8A | 92 BPM | ||
| Dream Children, Op. 43, No. 1 | Edward Elgar, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 71 BPM | ||
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
| Vorspiel | Johann Strauss II, ORF Radio-Symphonieorchester Wien, Ernst Theis, Vienna Radio Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
| Chinese Serenade | Victor Herbert, The Rochester Pops, Morton Gould, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss & His Orchestra, The Monty Kelly Orchestra, M | C Major | 3 | 8B | 127 BPM | ||
| The Carnival of the Animals: 14. Finale | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Quel Guardo Il Cavaliere | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| Fastnachts-Sinfonie: Allegro | Richard Flury, BBC Symphony Orchestra, Paul Mann | A Minor | 2 | 8A | 113 BPM | ||
| The Prince's Warning | Ann Rachlin | C Major | 1 | 8B | 136 BPM | ||
| Das Lied von der Erde: VIa. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | A Minor | 2 | 8A | 113 BPM | ||
| Chapter 41 - Geronimo Stilton, Book 15: The Mona Mousa Code | Geronimo Stilton, Bill Lobley | A Minor | 3 | 8A | 108 BPM | ||
| Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| Coppélia, Tableau 1: No. 8 Final | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Babes in Toyland Overture - Instrumental Version | Babes in Toyland Orchestra | G Major | 3 | 9B | 125 BPM | ||
| Youre in Love | Alberto Moggi, Giuseppe Brittanni, Sidney Bwolser, Claire Mind | A♭ Major | 1 | 4B | 93 BPM | ||
| Good Old Days | Sinfonietta Cinematica | A Major | 4 | 11B | 111 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Street in Manhattan | Frank DeVol, Frank Devol Orchestra, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss & His Orchestra, The Monty Kelly Orchestra, Morton Gould Orchestra, New Concert Orchestra, New Symphony Orchestra, Orchestre Raymonde, Palace Theatre Symphony Orchestra, Ray Ventura Orchestra, Reg Owen Orchestra, Richard Hayman Orchestra, The Rochester Pops, Stuttgart Radio Orchestra, The Melachrino Orchestra | G Major | 3 | 9B | 130 BPM | ||
| Chapter 3 - The Doctor's Dilemma | George Bernard Shaw, Jane Carr, Gregory Cooke, Kenneth Danziger, Roy Dotrice, martin jarvis, Jennifer Dundas, Simon Templeman, Douglas Weston, Paxton Whitehead | D♭ Major | 2 | 3B | 114 BPM |