"When You Were Sweet Sixteen (Arr. A. Rindfleisch for brass quintet)" by James Thornton, Meridian Arts Ensemble had its release date on April 2, 2013. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Rindfleisch: In the Zone". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. When You Were Sweet Sixteen (Arr. A. Rindfleisch for brass quintet) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With When You Were Sweet Sixteen (Arr. A. Rindfleisch for brass quintet) by James Thornton, Meridian Arts Ensemble having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Materna Requiem: 4. Lacrimosa | Rebecca Dale, Hannah Dienes-Williams, Thelma Handy, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A♭ Major | 0 | 4B | 100 BPM | ||
| In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
| Desplat: Griet's Theme - Reprise | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | F Minor | 2 | 4A | 56 BPM | ||
| The Majesty | Christelijk Regiokoor "Adonai" Waddinxveen, Peter Burger | C Major | 3 | 8B | 85 BPM | ||
| J.S.Bach - Ch.Gounod. Ave Maria | Lina Mktrchyan (contralto) | C Major | 1 | 8B | 81 BPM | ||
| Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | ||
| Summer Together | VOX, Elizabeth Scott, Tim Cunniffe | G Major | 2 | 9B | 146 BPM | ||
| Sleep | Eric Whitacre, Virtual Choir 2 | C Minor | 1 | 5A | 73 BPM | ||
| Rotā | Latvian Voices, Laura Jēkabsone | G Major | 2 | 9B | 101 BPM | ||
| Otros Perfiles | Las Guerreras | B♭ Major | 0 | 6B | 145 BPM | ||
| Chorale for Ascension Day (Easter Chorale) | Samuel Barber, Ormond College Choir, Douglas Lawrence | D♭ Minor | 1 | 12A | 126 BPM | ||
| The Psalms Project, Vol. 3: Psalm 71 "I Have Hoped, O Lord, in You" | Steven Faux, Missak Takoushian, Bath Philharmonia, James Thornton | F♯ Minor | 1 | 11A | 76 BPM | ||
| Song For Athene | John Tavener, The Temple Church Choir, The Holst Singers, Ian Le Grice, Stephen Layton | F Minor | 0 | 4A | 75 BPM | ||
| Main Title Theme (From "The English Patient") | Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 72 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Tree of Life | Maha Vajra | E Minor | 2 | 9A | 131 BPM | ||
| Question | Jimmyuezore | E Minor | 5 | 9A | 69 BPM | ||
| Victoria Titles | Martin Phipps, Mediæval Bæbes | F♯ Minor | 2 | 11A | 77 BPM | ||
| Escapando Entre Mundos | Sirenas Celestiales | G Major | 1 | 9B | 98 BPM | ||
| Sensaciones Globales | Ninfas De Ultramar | E Major | 2 | 12B | 90 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Requiem: Agnus Dei | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver | G Major | 0 | 9B | 89 BPM | ||
| Gluck: O Malheureuse Iphigenie! | George Fenton, Catherine Bott | A♭ Minor | 2 | 1A | 99 BPM | ||
| Diamond Dawn | Trayus Digital | D Minor | 1 | 7A | 80 BPM | ||
| Another Me | Kira Ha | F Minor | 0 | 4A | 134 BPM |