"We Are The One" by Paul Brandt had its release date on November 11, 1997. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. We Are The One's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Outside The Frame". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, We Are The One's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We Are The One by Paul Brandt having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Here | Charlie Major | A Major | 3 | 11B | 165 BPM | ||
| First Time in a Long Time | Deric Ruttan | F Major | 9 | 7B | 123 BPM | ||
| Old Enough to Know Better | Wade Hayes | E Major | 8 | 12B | 165 BPM | ||
| Dock Rock | The Washboard Union | A Major | 9 | 11B | 105 BPM | ||
| Running Out Of Reasons To Run | Rick Trevino | G Major | 9 | 9B | 151 BPM | ||
| This Is Me Missing You | James House | A♭ Major | 5 | 4B | 76 BPM | ||
| I Lie | Jason McCoy | D Major | 5 | 10B | 95 BPM | ||
| Nothing but Love - Standing in the Way | The Wilkinsons | D Major | 7 | 10B | 122 BPM | ||
| If I Fall | Doc Walker | C Major | 3 | 8B | 133 BPM | ||
| Postmarked Birmingham | BlackHawk | E Major | 3 | 12B | 126 BPM | ||
| In a Week or Two | Diamond Rio | D Major | 3 | 10B | 145 BPM | ||
| One Day Closer to You | Carolyn Dawn Johnson | B♭ Major | 4 | 6B | 114 BPM | ||
| Bobbie Ann Mason | Rick Trevino | F♯ Major | 5 | 2B | 117 BPM | ||
| Nobody Gets Too Much Love | Charlie Major | B♭ Major | 7 | 6B | 126 BPM | ||
| 26 (Cents Sign) | The Wilkinsons | B Major | 5 | 1B | 101 BPM | ||
| I'm Already Taken | Steve Wariner | G Major | 2 | 9B | 128 BPM | ||
| It's Lonely I Can't Stand | Charlie Major | G Major | 6 | 9B | 165 BPM | ||
| Big Guitar - Extended Remix | BlackHawk | A Major | 9 | 11B | 177 BPM | ||
| Except for Monday | Lorrie Morgan | G Major | 6 | 9B | 170 BPM | ||
| Stronger Beer | Tim Hicks | D Major | 6 | 10B | 93 BPM | ||
| What I Want To Be Remembered For | Paul Brandt | G Major | 7 | 9B | 132 BPM | ||
| Take It Like a Man | Michelle Wright | E♭ Major | 4 | 5B | 74 BPM | ||
| Love Like This | BlackHawk | D Major | 7 | 10B | 127 BPM | ||
| Drink, Swear, Steal and Lie | Michael Peterson | B Major | 8 | 1B | 104 BPM | ||
| I'm Not Strong Enough to Say No | BlackHawk | D♭ Major | 5 | 3B | 111 BPM |