Abby Hamilton's 'Midnight Call' had a release date set for August 7, 2025. Midnight Call is considered explicit and may contain foul language. This song is about 3 minutes and 21 seconds, which is about the average length of a typical song. Because this song is the only song in Midnight Call and no other songs are present in the album, we classify this track as a single. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Midnight Call is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Midnight Call by Abby Hamilton to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wolf In Sheep’s Clothes | Ken Pomeroy | C Major | 2 | 8B | 102 BPM | ||
| Uncle Pen | Kelsey Waldon, Amanda Shires | D Major | 6 | 10B | 173 BPM | ||
| Anxiously Attached | Lauren Lovelle | E Major | 8 | 12B | 121 BPM | ||
| Everywhere I Used to Be | Mariel Buckley | G Major | 6 | 9B | 108 BPM | ||
| Queen of Fools | Paige Plaisance | E Major | 5 | 12B | 118 BPM | ||
| Doesn't Make Any Sense | Rainbow Girls | B♭ Major | 2 | 6B | 132 BPM | ||
| Flowers | Liv Greene | E♭ Major | 4 | 5B | 78 BPM | ||
| Althea | Jaime Wyatt | D♭ Major | 7 | 3B | 88 BPM | ||
| Stand to Gain | Chloe Kimes | A♭ Minor | 8 | 1A | 101 BPM | ||
| Changes | Emily Nenni | E Major | 6 | 12B | 81 BPM | ||
| Matches | Emily Nenni | A Major | 5 | 11B | 97 BPM | ||
| It’s Nothing | Two Runner | C Major | 7 | 8B | 121 BPM | ||
| Fried Green Tomatoes | Abby Hamilton | C Major | 4 | 8B | 145 BPM | ||
| Equine Elvis | Rachel Baiman, Pony Bradshaw | D Major | 4 | 10B | 138 BPM | ||
| White Painted Trees | Dylan Earl | E♭ Major | 6 | 5B | 87 BPM | ||
| Nothing Else Matters | Lindsay Lou, Jerry Douglas | B Major | 5 | 1B | 80 BPM | ||
| Instant Coffee Blues | Jamie Lin Wilson, Jack Ingram | A Major | 2 | 11B | 136 BPM | ||
| Country | Senora May | C Major | 2 | 8B | 153 BPM | ||
| Big Plane | Erik Koskinen | A♭ Major | 4 | 4B | 171 BPM | ||
| Georgia May/Angeline the Baker | The Carolina Junebugs | A Major | 6 | 11B | 99 BPM | ||
| Tehachapi | Margo Cilker | G Major | 6 | 9B | 135 BPM | ||
| Hotel Tomorrow | West Texas Exiles | B♭ Major | 5 | 6B | 130 BPM | ||
| Crazy or Died (OurVinyl Sessions) | Margo Cilker, OurVinyl | C Major | 3 | 8B | 119 BPM | ||
| Keep It on A Burner | Margo Cilker | C Major | 4 | 8B | 179 BPM | ||
| Slow Kill | Kristina Murray | D♭ Major | 8 | 3B | 146 BPM |