Rampat Harami, Rani Bala's ' "Gaone Ki Raat Ayi" was released on its scheduled release date, October 1, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rampat Harami's "Gone Ki Pehli Raat" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Gaone Ki Raat Ayi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gaone Ki Raat Ayi by Rampat Harami, Rani Bala to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palna | Chhagan Chougule | G Major | 5 | 9B | 133 BPM | ||
| Paunahari Teri Sada Hi Jai Jaikar | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | A♭ Major | 7 | 4B | 115 BPM | ||
| Shri Ram Jai Ram | Om Shiv Shambho Collective | D♭ Major | 6 | 3B | 114 BPM | ||
| Maar Deb Goli Kehu Na Boli | Radhe Shyam Rasiya, Indu Sonali | B♭ Minor | 8 | 3A | 159 BPM | ||
| Mane Durga Rup Dikha Mari Maa Bhajan | Moinudin Manchala | F♯ Minor | 8 | 11A | 101 BPM | ||
| Jhoom Utha Paagal Man | Salma Agha | G Major | 5 | 9B | 101 BPM | ||
| Bosh Husnuk - Studio Version | Naseem-ul-Haq | C Major | 6 | 8B | 73 BPM | ||
| Bondhu Tin Tinta Chithi Dilam | Momtaz | G Major | 6 | 9B | 160 BPM | ||
| Inse Bachke Rahiyo Re Superhits Bundeli Rai | Raju Patel, Dhaniram Sen | C Major | 10 | 8B | 126 BPM | ||
| GURU MERA AB THODI MEHAR KARO | Dhanabharti Ji | A♭ Major | 7 | 4B | 108 BPM | ||
| Laxminarsiha Narayana | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| He Mahakalike Mate Bhuvaneshwari | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| Dhoawle Baani Chunari Abna | Bharat Sharma Vyas | A♭ Major | 5 | 4B | 165 BPM | ||
| Rah Jaati Hai | Kumar Satyamm | B♭ Minor | 5 | 3A | 95 BPM | ||
| Yati Kul Majhe Gele Harvuni | Godavaribai Munde, Rameshbuva Shegaonkar | A Major | 5 | 11B | 84 BPM | ||
| Cham Cham Nache Putariya Re Karila Dham Ki Rai | Deshraj Narwariya | E Major | 8 | 12B | 133 BPM | ||
| Mohabbat Ke Dhaage Men Kaliyan | Mohammed Rafi, Jani Babu, Balbir | E Major | 5 | 12B | 143 BPM | ||
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM | ||
| Lāgi Re Mune Lāgi Re | BAPS Swaminarayan Sanstha | F♯ Major | 5 | 2B | 94 BPM | ||
| Nitti Nitti Konna Tumi | Polash, Momtaz | D♭ Major | 8 | 3B | 112 BPM | ||
| Hai Sukar Tera Bagwan | Satpal Dosa, Mainpal Baseda | E Minor | 7 | 9A | 133 BPM | ||
| Comedy | Rampat Harami, Raniwala | F♯ Major | 9 | 2B | 135 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Rai Ki Burai Kou Kariyo Ne Bhai | Deshraj Narwariya | E♭ Minor | 7 | 2A | 131 BPM | ||
| Manika Tum Humka Dekha | Rampat Harami | F♯ Major | 9 | 2B | 106 BPM |