Michael Gore, Cincinnati Pops Orchestra, Erich Kunzel, William Tritt's 'Theme From "Terms Of Endearment"' had a release date set for September 27, 1988. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Theme From "Terms Of Endearment"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Triple Feature". In this album, this song's track order is #39. Furthermore, we believe that the track originated from United States. Based on our statistics, Theme From "Terms Of Endearment"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Theme From "Terms Of Endearment" by Michael Gore, Cincinnati Pops Orchestra, Erich Kunzel, William Tritt having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuptim | George Fenton | E♭ Minor | 1 | 2A | 88 BPM | ||
| Love's Grown Deep | Ron Goodwin | G Major | 2 | 9B | 89 BPM | ||
| Theme From Mahogany (Do You Know Where You're Going To) | Michael Masser | C Minor | 4 | 5A | 140 BPM | ||
| Sempre Per Te | Michael Bennett | F Major | 2 | 7B | 83 BPM | ||
| Carnival of the Animals: V. Elephants (After C. Saint-Saens) | John Morris Russell, Cincinnati Pops Orchestra | B♭ Major | 0 | 6B | 107 BPM | ||
| Beyond The Sea | Cincinnati Pops Orchestra, Erich Kunzel | G Major | 3 | 9B | 120 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| Atelier Fontana - Main Title | Andrea Guerra | F Major | 1 | 7B | 132 BPM | ||
| Sunrise | Carmine Coppola | E♭ Major | 1 | 5B | 68 BPM | ||
| The Lost Child Orchestral Suite | Mark McKenzie | D Major | 1 | 10B | 68 BPM | ||
| Empire State Montage (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Minor | 2 | 6A | 174 BPM | ||
| Saint-Saens: Danse Macabre | Erich Kunzel, Cincinnati Pops Orchestra | C Minor | 1 | 5A | 97 BPM | ||
| The Ludlows (From "Legends Of The Fall") | Cincinnati Pops Orchestra, Erich Kunzel, Paul Patterson, Sylvia Mitchell, Julie Spangler | D Major | 0 | 10B | 72 BPM | ||
| Donna Diana: Overture | Emik Nikolaus Von Reznicek, Cincinnati Pops Orchestra, Erich Kunzel | A Major | 3 | 11B | 99 BPM | ||
| Dinner Is Served | Howard Shore | F Minor | 1 | 4A | 67 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante (From "Elvira Madigan") | Wolfgang Amadeus Mozart, Cincinnati Pops Orchestra, Erich Kunzel, William Tritt | F Major | 1 | 7B | 95 BPM | ||
| Gone with the Wind | Royal Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
| The Horn's Sound/ Regnar Returns | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 104 BPM | ||
| Alta società | Andrea Guerra | A♭ Major | 0 | 4B | 74 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| The Show's Over | Howard Shore | C Minor | 2 | 5A | 93 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Vincent (Starry, Starry Night) [Instrumental Version] | Don McLean, Phil Thompson, Greater Twin Cities Youth Symphonies | G Major | 4 | 9B | 91 BPM | ||
| How can I remember | Julijana Sarac | G Major | 3 | 9B | 110 BPM | ||
| The Promise / A Bed of Ferns (From "The Piano") | Richard Stoltzman | A Minor | 2 | 8A | 88 BPM |