"Verdi : Rigoletto : Act 2 "Duca, duca!" [Borsa, Marullo, Ceprano, Chorus]" by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera had its release date on 1992. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Verdi : Rigoletto : Act 2 "Duca, duca!" [Borsa, Marullo, Ceprano, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi : Rigoletto by Giuseppe Verdi, Leontina Vaduva, Jennifer Larmore, Richard Leech, Alexandru Agache, Samuel Ramey, Carlo Rizzi & Orchestra of Welsh National Opera, Carlo Rizzi, Orchestra of Welsh National Opera. The song's track number on the album is #20 out of 36 tracks. Based on our data, Germany was the country where this track was produced or recorded. Verdi : Rigoletto : Act 2 "Duca, duca!" [Borsa, Marullo, Ceprano, Chorus] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi : Rigoletto : Act 2 "Duca, duca!" [Borsa, Marullo, Ceprano, Chorus] by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi : Rigoletto : Act 2 "Duca, duca!" [Borsa, Marullo, Ceprano, Chorus] being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Anna Moffo, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
| La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 83 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| Il Trovatore - Act II | Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Renato Ercolani, Giuseppe Verdi, Fedora Barbieri, Luisa Villa, Herbert von Karajan, Orchestra and Chorus of La Scala, Nicola Zaccaria | G Major | 3 | 9B | 128 BPM | ||
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| Carmina Burana: XI. Estuans interius | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
| Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
| Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | A Major | 1 | 11B | 89 BPM | ||
| Rigoletto: Overture (Preludio) | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | G Major | 0 | 9B | 101 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 85 BPM | ||
| Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Sogno soave e casto" (Ernesto, Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 71 BPM | ||
| Cavalleria rusticana: Part I: Regina coeli, laetare (Chorus, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 82 BPM | ||
| Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
| Faust, CG 4, Act III: Quel trouble inconnu – Salut, demeure chaste et pure | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
| L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
| Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM |