On January 1, 1964, the song "Main Pyar Ka Diwana" was released by Mohammed Rafi. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 7 in Ayee Milan Ki Bela by Shankar Jaikishan, Hasrat Jaipuri, Shailendra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Main Pyar Ka Diwana's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Main Pyar Ka Diwana by Mohammed Rafi is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Lagakar Ham Yeh Samjhe | Mahendra Kapoor | F♯ Major | 5 | 2B | 101 BPM | ||
| Tasveer Banata Hoon | Talat Mahmood | F♯ Major | 3 | 2B | 122 BPM | ||
| Commentary Tabussum And Aaj Rapat Jaayen To - Namak Halaal | Tabassum, Asha Bhosle, Kishore Kumar, Bappi Lahiri | D♭ Major | 5 | 3B | 106 BPM | ||
| Mere Mehboob Qayamat Hogi, Pt. 1 (From "Mr. X in Bombay") | Kishore Kumar | A♭ Major | 4 | 4B | 98 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Commentary Tabussum And Mere Angne Mein - Laawaris | Tabassum, Amitabh Bachchan, Kalyanji-Anandji | B Minor | 5 | 10A | 119 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Chahe Meri Jaan Tu Le Le | Jolly Mukherjee, Sapna Mukherjee | A Major | 7 | 11B | 98 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Barsaat Ke Mausam Mein | Kumar Sanu, Roop Kumar Rathod | A Minor | 6 | 8A | 148 BPM | ||
| Patthar Ke Sanam | Mohammed Rafi, Laxmikant–Pyarelal | B Major | 4 | 1B | 104 BPM | ||
| Roop Tera Mastana (From "Aradhana") | Kishore Kumar | A♭ Minor | 5 | 1A | 83 BPM | ||
| Pal Pal Dil Ke Pas (From "Blackmail") | Kalyanji-Anandji | B Minor | 3 | 10A | 128 BPM | ||
| Dil Jab Se Toot Gaya (From "Salaami") | Pankaj Udhas | G Minor | 6 | 6A | 99 BPM | ||
| Teri Duniya Mein Jeene Se | Hemant Kumar | D Minor | 4 | 7A | 102 BPM | ||
| Buhat Khobsoorat Hai Mera Sanam | Mehdi Hassan | C Minor | 7 | 5A | 141 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM | ||
| Mere Khayalon Ki Rah Guzar Se | Anwar Hussain, Laxmikant–Pyarelal | B♭ Minor | 9 | 3A | 84 BPM | ||
| Rim Jhim Ke Geet | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A Minor | 3 | 8A | 150 BPM | ||
| Dil Ko Teri Tasveer Se | Suraiya, Mohammed Rafi | A♭ Major | 3 | 4B | 138 BPM | ||
| Awaz De Kahan Hai | Noor Jehan, Surendra | E Major | 2 | 12B | 76 BPM | ||
| Le Chal Mere Jeevan Saathi | Hemlata, Mukesh, Kalyanji-Anandji | D Minor | 3 | 7A | 130 BPM | ||
| Ae Kash Ke Hum | Jatin-Lalit, Kumar Sanu | C Major | 7 | 8B | 161 BPM |