"Bourees 1 (Excerpt from Giselle)" by A. Adam, Rob Thaller had its release date on February 15, 2016. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Rep Music for Ballet Pointe Class". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. The popularity of Bourees 1 (Excerpt from Giselle) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bourees 1 (Excerpt from Giselle) by A. Adam, Rob Thaller having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Side to Side (Adage 3) | Nate Fifield | A Major | 2 | 11B | 109 BPM | ||
| Battements tendus Ⅱ (Carmen: Seguidilla) | Eun Soo Kim | D♭ Major | 5 | 3B | 120 BPM | ||
| Pirouette 2 (Swan Lake) | Nate Fifield | A♭ Major | 1 | 4B | 86 BPM | ||
| Barre: Tendus (Ragtime) | Nolwenn Collet | F Major | 0 | 7B | 109 BPM | ||
| Degajés | Adrienne Ramm | B♭ Major | 3 | 6B | 161 BPM | ||
| Warm-Up Ex. 3/4: By Candlelight (From "Flame & the Flesh") | Margot Kazimirska | C Major | 3 | 8B | 98 BPM | ||
| Relevé/Elevé 1 | Søren Bebe | F♯ Major | 2 | 2B | 74 BPM | ||
| Grand allegro 2 in C-Major, ballet " La Naiade et le Pécheur", Act 1, pas d´action, variation | Cesare Pugni, Konstantin Mortensen | A Major | 2 | 11B | 87 BPM | ||
| Battement Frappe. Moderate 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | C Minor | 2 | 5A | 103 BPM | ||
| Floor Work: Hungry Crocodiles | Nolwenn Collet | F Major | 3 | 7B | 162 BPM | ||
| Allegro II-Jetés, Assemblés: Center Floor Technique | David Howard, Joe Cross | E♭ Major | 3 | 5B | 109 BPM | ||
| Battements Tendus Jetés I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Santa Lucia (Plié 2) | music traditional, Nina Miller | D Major | 2 | 10B | 111 BPM | ||
| Battement Tendu & jete | 이예정 | D Major | 1 | 10B | 108 BPM | ||
| The Fairy Doll: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 106 BPM | ||
| Battements Tendus I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Jete. 2/4 64 Counts. | Marina Stolyar | G Major | 1 | 9B | 75 BPM | ||
| All the Things You Are (Ronds De Jambe a Terre with Port De Bras_32+16+extra) | Rebecca Y. Yoo, NARECORD | A♭ Major | 1 | 4B | 105 BPM | ||
| Sissonnes (Don Quixote) | Elena Baliakhova | A Major | 2 | 11B | 122 BPM | ||
| Swan Lake/Siegfried Variation(Act.3) | Kim Ji Hyun | A Major | 2 | 11B | 106 BPM | ||
| Music for Ballet Class, Series 1: Grand allégro 1 | Massimiliano Greco | D Minor | 4 | 7A | 92 BPM | ||
| Into the Woods 2 (Jump: 6/8) | Lisa Harris | F Major | 1 | 7B | 134 BPM | ||
| Battement Soutenu. Metre 3/4. | Vadim Proshich, MetodoVadim | A♭ Major | 1 | 4B | 104 BPM | ||
| Fondu, Habanera | Josu Gallastegui | D Major | 1 | 10B | 131 BPM | ||
| Piano Quartet Op.47-3 (Adage4) | Miwa Hoshi | C Major | 3 | 8B | 102 BPM |