Max Surla's 'Breaking Point' had a release date set for February 23, 2005. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Breaking Point's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Adrenaline Force by Various Artists. Based on our statistics, Breaking Point's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Breaking Point by Max Surla is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Con Las Condiciones Existentes | Valores Especiales | D♭ Major | 8 | 3B | 135 BPM | ||
| Hell | Matt Uelman | B Minor | 4 | 10A | 78 BPM | ||
| Slow Pan | Max Surla | E Minor | 4 | 9A | 104 BPM | ||
| The Undead | Paradox Interactive | E Minor | 2 | 9A | 113 BPM | ||
| Launch of The Kapisi | Paul Ruskay | A Major | 1 | 11B | 106 BPM | ||
| Epocas Doradas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | B♭ Major | 3 | 6B | 125 BPM | ||
| The Mother Serpent | Kevin Riepl | D Minor | 1 | 7A | 139 BPM | ||
| Paying Respects | Jason Graves | G Minor | 5 | 6A | 75 BPM | ||
| Futuros No Muy Ciertos | Non Binary, Sergio Gómez Oliveros, Bellum Sanctus | E Minor | 5 | 9A | 105 BPM | ||
| Slowly but Surely | Steve Jablonsky, Jacob Shea | D♭ Major | 2 | 3B | 120 BPM | ||
| Taking Charge | Steven Shapiro, Max Surla | C Major | 8 | 8B | 150 BPM | ||
| Colossal | Cavid Babayev, Constalanta | C Major | 6 | 8B | 170 BPM | ||
| Let's Just Get Out of Here | Mike Zarin, Tony Hajjar | B Minor | 9 | 10A | 140 BPM | ||
| Colloseo | Rich Douglas | G Minor | 3 | 6A | 160 BPM | ||
| Knowledge | Ceyran Huseynova, Feirn Mont | D♭ Major | 3 | 3B | 100 BPM | ||
| Brawler | Robert L. Euvino | B♭ Minor | 7 | 3A | 117 BPM | ||
| Bringer of Ruin | Doyle W. Donehoo | G Minor | 5 | 6A | 130 BPM | ||
| Dead End | Max Surla | G Major | 4 | 9B | 118 BPM | ||
| Crimson Archers | Michael Ghelfi, Filip Melvan | F♯ Minor | 6 | 11A | 130 BPM | ||
| The Academy | Ola Strandh | A Minor | 8 | 8A | 196 BPM | ||
| Reincarnation of Tragedy | Bill Brown | A♭ Major | 4 | 4B | 85 BPM | ||
| Perception | Klahman | D Minor | 4 | 7A | 130 BPM | ||
| Counterstrike | DJ LA FRANCA | C Major | 3 | 8B | 171 BPM | ||
| Deep Tunnels | Ambient Realms | B Major | 0 | 1B | 137 BPM | ||
| Cut Scene:Edge Against Me | Hyd Lunch, SEGA GAME MUSIC, SEGA SOUND TEAM | D Major | 9 | 10B | 134 BPM |