Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky Song Details

"Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky had its release date on January 1, 1961. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Shostakovich: Cello Concerto No. 2. Tchaikovsky: Rococo Variations; Andante cantabile. Glazunov: Chant du Ménestrel". In this album, this song's track order is #12. Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -29.276 dB
Acousticness: 98%
Danceability: 13%
Energy: 5%
Instrumentalness: 77%
Liveness: 7%
Loudness: 51%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Strauss II, J: Frühlingsstimmen, Op. 410	Johann Strauss II, Hallé, Bryden Thomson	B♭ Major	0	6B	103 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Don Quixote: Introduction	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	G Major	1	9B	80 BPM
Farandole	Georges Bizet, Semyon Bychkov, Wiener Philharmoniker	G Major	5	9B	156 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Les saisons (The Seasons), Op. 37b: XI. November: Troika	Ilya Rachkovsky	E Major	0	12B	74 BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	D Major	1	10B	85 BPM
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2	Frédéric Chopin, Daniel Barenboim	E♭ Major	0	5B	79 BPM
Swan Lake: No. 9 Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden	E Major	2	12B	134 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Sarasate: Carmen Fantasy, Op. 25	Pablo de Sarasate, Itzhak Perlman, Lawrence Foster, Royal Philharmonic Orchestra	A Minor	1	8A	89 BPM
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko'	Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint	F Major	0	7B	65 BPM
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz	New Philharmonia Orchestra London, Lawrence Siegel	B♭ Major	1	6B	108 BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio	Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov	A Major	1	11B	105 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Mephisto Waltz No. 1, S. 514	Franz Liszt, Evgeny Kissin	D♭ Minor	2	12A	70 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E Major	2	12B	161 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Sérénade mélancolique, Op. 26, TH 56: Serenade melancolique (Melancholy Serenade), Op. 26	Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky	B♭ Minor	1	3A	88 BPM
Egmont Overture, Op. 84 - 2018 Remastered Version	Ludwig van Beethoven, George Szell, The Cleveland Orchestra	A♭ Major	1	4B	83 BPM
Delibes: Sylvia: Act III. Cortège de Bacchus	Léo Delibes, San Francisco Symphony, Michael Tilson Thomas	E Major	4	12B	115 BPM
Toccata and Fugue in D minor	Johann Sebastian Bach, William McVicker	D Minor	0	7A	72 BPM
Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM