Billie Holiday's 'Autumn In New York' had a release date set for January 1, 1956. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Recital". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Autumn In New York is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Autumn In New York by Billie Holiday having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Love You All Over Again | Madeleine Peyroux | B Major | 3 | 1B | 89 BPM | ||
| Black Coffee | Sarah Vaughan | D♭ Major | 2 | 3B | 94 BPM | ||
| I Didn't Know What Time It Was | Sarah Vaughan | A Minor | 1 | 8A | 122 BPM | ||
| Sunrise Serenade | Glenn Miller | E♭ Major | 1 | 5B | 89 BPM | ||
| Do Nothin' Till You Hear From Me - 1956 Version | Billie Holiday | F♯ Minor | 2 | 11A | 103 BPM | ||
| Everything Happpens To Me | Art Pepper, ソニー・レッド | F Minor | 2 | 4A | 72 BPM | ||
| In the Night | Dakota Staton | F♯ Minor | 2 | 11A | 78 BPM | ||
| I Get Along Without You Very Well (Except Sometimes) - Vocal Version | Chet Baker | B♭ Major | 0 | 6B | 103 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| Baby, I Don't Cry Over You | Billie Holiday, Billy Kyle and His Trio | C Minor | 1 | 5A | 92 BPM | ||
| Tenderly | Ben Webster | E♭ Major | 1 | 5B | 136 BPM | ||
| Don't Sit Under the Apple Tree | Glenn Miller | G Major | 2 | 9B | 180 BPM | ||
| Trav'lin' Light | Jimmy Mundy, James Trummy Young, Billie Holiday, Paul Whiteman & His Orchestra, Paul Whiteman | C Minor | 1 | 5A | 126 BPM | ||
| Show Me The Way To Go Home | Julie London | B♭ Major | 2 | 6B | 87 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| I Wish You Love - 2004 Remastered/Remixed | Nancy Wilson | B♭ Minor | 2 | 3A | 115 BPM | ||
| I'll Be Seeing You | Billie Holiday | D♭ Major | 0 | 3B | 90 BPM | ||
| Centerpiece | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 105 BPM | ||
| C'est Magnifique (Can Can) | Eartha Kitt | E Minor | 4 | 9A | 123 BPM | ||
| We'll Be Together Again | McCoy Tyner | A♭ Major | 1 | 4B | 78 BPM | ||
| You're Gonna Make Me Lonesome When You Go | Madeleine Peyroux | B♭ Major | 3 | 6B | 95 BPM | ||
| They Didn't Believe Me | Ernestine Anderson | D♭ Major | 3 | 3B | 133 BPM | ||
| Misty | Sarah Vaughan | F Major | 2 | 7B | 185 BPM | ||
| Begin the Beguine | Artie Shaw | G Major | 2 | 9B | 141 BPM | ||
| Embraceable You | Billie Holiday | E♭ Minor | 1 | 2A | 178 BPM |