On May 18, 2011, the song "Jogayya Baa" was released by Shreya Ghoshal. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in V. Hari Krishna's "Jogaiah (Original Motion Picture Soundtrack)" album is number 3 out of 8. On top of that, France appears to be the country where this track was created. Based on our statistics, Jogayya Baa's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jogayya Baa by Shreya Ghoshal to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Punaha Punaha | Shaan, Shreya Ghoshal | A Major | 7 | 11B | 176 BPM | ||
| Chandamama Kayge Sigade | Shreya Ghoshal | A♭ Minor | 9 | 1A | 90 BPM | ||
| Brahmange Thalkettu | S. P. Balasubrahmanyam, Rajesh Ramnath, Prakash Trishooli | F Minor | 4 | 4A | 126 BPM | ||
| Pakka Papi | Punith Rajkumar | A Minor | 8 | 8A | 125 BPM | ||
| Kivi Mathu | Jayant Kaikini | D Major | 7 | 10B | 110 BPM | ||
| Araluthiru | Shreya Ghoshal, Jayant Kaikini | A Major | 5 | 11B | 110 BPM | ||
| Nanna Preethi Kusuri | Bharath B J, Vijay Prakash, Suni | A♭ Minor | 6 | 1A | 111 BPM | ||
| One Two Three | Naveen Madhav | D♭ Major | 8 | 3B | 100 BPM | ||
| Helubaa Yenadena (From "Vaasu Naan Pakka Commercial") | B. Ajaneesh Loknath | F Minor | 9 | 4A | 84 BPM | ||
| Coffee Hogonvaa | Ganesh, Priyadarshini | C Major | 8 | 8B | 129 BPM | ||
| Dilge Dilge | Supriya Lohith, Ankit Tiwari, Lokesh Krishna | D Minor | 8 | 7A | 115 BPM | ||
| Kurakku Kalli Kere | S. P. Balasubrahmanyam | G Major | 9 | 9B | 112 BPM | ||
| Onde Samane - Female Vocal | Shreya Ghoshal | B♭ Minor | 6 | 3A | 82 BPM | ||
| Ille Ile Ello (From "Chirru") | Sonu Nigam, Shreya Ghoshal, GHOUSE PEER | E♭ Minor | 8 | 2A | 78 BPM | ||
| Noodavalandava | Shankar Mahadevan | D Major | 10 | 10B | 92 BPM | ||
| Sumsumne Olu Bidu | Udit Narayan, Sowmya | G Major | 9 | 9B | 79 BPM | ||
| Nee Nanhatti Belakangidde Nanju | Sadhu Kokila, G. P. Rajarathnam | F Minor | 5 | 4A | 150 BPM | ||
| Thumba Preethiso | Shreya Ghoshal, V Nagendra Prasad | B Minor | 6 | 10A | 120 BPM | ||
| Raja Rani - Female Vocals | V. Harikrishna, A.P. Arjun, Shreya Ghoshal | B♭ Minor | 6 | 3A | 82 BPM | ||
| Taarammayya | Santhosh Venky | F Minor | 6 | 4A | 140 BPM | ||
| Hosadada | Anuradha Bhat, Hrudaya Shiva | B♭ Minor | 8 | 3A | 155 BPM | ||
| BOYS SARIGILLA - From "Hostel Hudugaru Bekagiddare" | B. Ajaneesh Loknath, Trilok Trivikrama | A Major | 4 | 11B | 100 BPM | ||
| Hale Paathre | Kailash Kher, Sowmya Raoh, Yogaraj Bhat | C Minor | 5 | 5A | 126 BPM | ||
| Ee Manasella Neene | Rajesh, Shreya Ghoshal | E Minor | 6 | 9A | 168 BPM | ||
| Summane Heege Ninnane (From "Amar") | Sonu Nigam, Shreya Ghoshal, Kaviraj | E♭ Major | 5 | 5B | 120 BPM |