"Aum - Meditation with Omkaar - at 432 Hz" by Rajan Mishra, Sajan Mishra, Rupa Tiwary had its release date on June 12, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 5 in Chants of Moksha - Omkaar - at 432 Hz by Rajan Mishra, Sajan Mishra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aum - Meditation with Omkaar - at 432 Hz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aum - Meditation with Omkaar - at 432 Hz by Rajan Mishra, Sajan Mishra, Rupa Tiwary is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ganesh-Gayatri Mantra | Kedar Pandit, Bhakti Choir | D♭ Major | 6 | 3B | 188 BPM | ||
| Mahadeva Deva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | A♭ Major | 1 | 4B | 158 BPM | ||
| Raag Bihag (Teen Taal - Tarana) | Rajan Mishra, Sajan Mishra | F Minor | 5 | 4A | 141 BPM | ||
| Shambho Shivshankar Gaay | Bhagwan Lokre, Shridhar Mungekar | D♭ Major | 4 | 3B | 150 BPM | ||
| Vighna Harna Gajanan | Rajan Mishra, Sajan Mishra | F Minor | 3 | 4A | 141 BPM | ||
| Sri Pada Vallabha Banda Nodu | Sadguru SriSatUpasi, Devotees | D Major | 6 | 10B | 112 BPM | ||
| Chitt Tu Shidne Chinta Dhare | Sachin Limaye, Ashita Limaye, Parth Doshi | F♯ Major | 1 | 2B | 82 BPM | ||
| Parameshwari | Vikram Hazra | C Major | 7 | 8B | 125 BPM | ||
| Lakshmi Mantra (Shloka) | Shweta Pandit | F♯ Major | 1 | 2B | 77 BPM | ||
| Bhagavad Gita Adhyay, Pt. 17 | Shrirang Bhave | F♯ Major | 4 | 2B | 94 BPM | ||
| Kaaye Sri Harijaaye | Puttur Narasimha Nayak | D♭ Major | 6 | 3B | 90 BPM | ||
| Sri Rama Raksha Sthotram | Bangalore Sisters, Ajay Warriar, Ramesh Chandra | E Minor | 2 | 9A | 134 BPM | ||
| Durga Saptshati Dwaadash Adhyaya | SHRI PREM PRAKASH DUBEY | F♯ Minor | 4 | 11A | 80 BPM | ||
| Lakshmi Ashtotrashata Namavali - 108 Names Of Lakshmi | T. S. Ranganathan | F Major | 2 | 7B | 100 BPM | ||
| Vaishno Mata Aarti | Nidhi Nigam, Ashish Tiwari | E♭ Major | 5 | 5B | 90 BPM | ||
| Tumase Ho Jori | Rishi Nityapragya | G Minor | 3 | 6A | 88 BPM | ||
| Utha Jage Vha Re Aata | Baba Maharaj Satarkar | F♯ Minor | 7 | 11A | 80 BPM | ||
| Bhagavad Gita, Pt. 5 - Karma Sanyasa Yoga | Pt. Ved Prakash Phondani | A♭ Major | 3 | 4B | 76 BPM | ||
| Annapurna Stotram | Inner Splendor, Vedika Godbole | D♭ Minor | 3 | 12A | 91 BPM | ||
| Liye Sapne Nigaahon Mein | Rajan Mishra | E♭ Major | 2 | 5B | 93 BPM | ||
| Narayan Kavacham Mahatva | Bhagwat Acharya Shri Venu Gopal Swamiji | D Major | 1 | 10B | 97 BPM | ||
| Ganesha Bhujangam | Ganesan | A Minor | 2 | 8A | 74 BPM | ||
| Runmukti Ganesh Stotra | Shubhangi Jhoshi | D♭ Major | 4 | 3B | 83 BPM | ||
| Sri Matangi Stotra | Prof. Thiagarajan, Scholars | F Major | 4 | 7B | 121 BPM | ||
| Om Brahm Brishaspataye Namah | Pramod Kishan | D Major | 6 | 10B | 148 BPM |