Kaze's ' "やさしさに気づかないまま" was released on its scheduled release date, October 5, 1978. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kaze's "Moony Night" album is number 9 out of 10. On top of that, Japan appears to be the country where this track was created. In terms of popularity, やさしさに気づかないまま is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of やさしさに気づかないまま by Kaze to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 秋冬(しゅうとう) | 高田みづえ | A Minor | 3 | 8A | 92 BPM | ||
| 安奈 | Kai Band | F Major | 8 | 7B | 119 BPM | ||
| 愛のナイフ | N.S.P | F Major | 3 | 7B | 103 BPM | ||
| 友達よ泣くんじゃない | Kensaku Morita | F Minor | 4 | 4A | 112 BPM | ||
| 思えば遠くへ来たもんだ | Kaientai | B♭ Major | 7 | 6B | 88 BPM | ||
| ひまわりの小径 | Cherish | D♭ Major | 3 | 3B | 173 BPM | ||
| 南風の頃 | ふきのとう | C Major | 5 | 8B | 147 BPM | ||
| 明日への讃歌 - シングル・バージョン / Remastered 2024 | ALICE | A♭ Major | 7 | 4B | 92 BPM | ||
| 私鉄沿線 | Goro Noguchi | F Minor | 6 | 4A | 173 BPM | ||
| 恋不思議 | Kaientai | B Minor | 4 | 10A | 116 BPM | ||
| ロンリネス | Masahiro Kuwana | F Major | 5 | 7B | 102 BPM | ||
| この道の果てまでも | Masaaki Sakai | E Major | 2 | 12B | 119 BPM | ||
| 男は明日はくためだけの靴を磨く | Kaze | D Minor | 5 | 7A | 126 BPM | ||
| ふれあい | Masatoshi Nakamura | C Minor | 2 | 5A | 123 BPM | ||
| マイ・ピュア・レディ | Ami Ozaki | G Major | 3 | 9B | 142 BPM | ||
| 乙女のワルツ | Sakiko Ito | G Major | 4 | 9B | 202 BPM | ||
| Kono Sora wo Tobetara | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| 若き獅子たち | Goro Noguchi | C Major | 5 | 8B | 92 BPM | ||
| さよならをするために~アコースティックバージョン~ | Billy Ban Ban | B Minor | 3 | 10A | 102 BPM | ||
| さよなら涙 | Billy Ban Ban | C Major | 5 | 8B | 140 BPM | ||
| 愛はかげろう | 雅夢 | B Minor | 4 | 10A | 129 BPM | ||
| 九月の雨 | Hiromi Ota | F Minor | 6 | 4A | 117 BPM | ||
| 3号線を左に折れ | Kaze | F Major | 2 | 7B | 138 BPM | ||
| 岬めぐり | 山本 コウタロー, Weekend | G Major | 7 | 9B | 102 BPM | ||
| 誰もいない海 | Toi et Moi | E♭ Major | 3 | 5B | 94 BPM |