"オペレッタ《こうもり》 序曲" by Johann Strauss II, エーリッヒ・ビンダー, ウィーン国立フォルクスオーパー管弦楽団・合唱団 had its release date on May 21, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, エーリッヒ・ビンダー, ウィーン国立フォルクスオーパー管弦楽団・合唱団's "J. シュトラウス:オペレッタ《こうもり》全3幕" album is number 1 out of 19. On top of that, Japan appears to be the country where this track was created. In terms of popularity, オペレッタ《こうもり》 序曲 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of オペレッタ《こうもり》 序曲 by Johann Strauss II, エーリッヒ・ビンダー, ウィーン国立フォルクスオーパー管弦楽団・合唱団 to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barcarole (From the Opera "Les Contes D’Hoffmann") | Jacques Offenbach, André Rieu, Johann Strauss Orchestra | B♭ Major | 7 | 6B | 78 BPM | ||
| Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
| Angelica-Polka francaise, Op. 123 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | D Major | 2 | 10B | 82 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
| Echoes of Day | Nuit | G Major | 5 | 9B | 104 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Vals del Emperador Op. 437 | Gran Orquesta Vienesa | C Major | 2 | 8B | 68 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | D Minor | 2 | 7A | 122 BPM | ||
| Feuerfest, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 94 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
| Eugene Onegin, Op. 24: Act II Scene 1: Waltz | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Minor | 1 | 6A | 75 BPM | ||
| The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 93 BPM | ||
| Die Fledermaus, Act III: Couplet. Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Friedrich Haider, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, WDR Rundfunkorchester Köln | F Minor | 1 | 4A | 66 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Carmen L'amour est un oiseau rebelle - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 98 BPM | ||
| J. Strauss II: Lob der Frauen, Op. 315 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 0 | 10B | 125 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Strauss II, J: Ägyptischer Marsch, Op. 335 | Johann Strauss II, Daniel Barenboim, Chicago Symphony Orchestra | E Minor | 2 | 9A | 100 BPM | ||
| Vilja-Lied (From Die lustige Witwe, op. 138) | Franz Lehár, André Rieu, Johann Strauss Orchestra | D Major | 5 | 10B | 119 BPM |