眞鍋 理一郎's 'Monster Match II' had a release date set for 1973. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in 眞鍋 理一郎's "Godzilla vs. Megalon Original Soundtrack" album is number 32 out of 38. Based on our statistics, Monster Match II's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Monster Match II by 眞鍋 理一郎 to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Batman on Top of Church / Stromwell Arrives at Pete's / Thugs - From The Episode "It's Never Too Late" | Lolita Ritmanis | A Minor | 0 | 8A | 80 BPM | ||
| Main Title | Masaru Sato | B♭ Minor | 4 | 3A | 73 BPM | ||
| サスペンス | 松山祐士 | B♭ Minor | 2 | 3A | 83 BPM | ||
| Godzilla Of Monster Island | 眞鍋 理一郎 | G Major | 4 | 9B | 125 BPM | ||
| Voci dal nulla - Version 2 | Fabio Frizzi | A Minor | 4 | 8A | 74 BPM | ||
| Ghosts of the Past | Sutnuz | F♯ Minor | 3 | 11A | 141 BPM | ||
| Strike Back | 眞鍋 理一郎 | G Major | 5 | 9B | 143 BPM | ||
| Godzilla Falls into Mt. Mihara | 小六禮次郎 | A Minor | 2 | 8A | 97 BPM | ||
| Keep a Cool Head (Aka Main Title) | Harry Manfredini | E Major | 4 | 12B | 80 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinenhalle mit Moloch | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | C Minor | 0 | 5A | 88 BPM | ||
| Stacey Drives Lily / Sodor at Night / Diesel Knocks Shed (From "Thomas and the Magic Railroad") | Hummie Mann | B♭ Major | 2 | 6B | 120 BPM | ||
| 敢闘 | Michiru Oshima | E Minor | 9 | 9A | 96 BPM | ||
| The Fierceness Of Megalon & Gigan | 眞鍋 理一郎 | C Major | 5 | 8B | 105 BPM | ||
| Piercing | Howard Shore | F Major | 2 | 7B | 79 BPM | ||
| 人工の大地 M-1 | 松山祐士 | F Major | 2 | 7B | 82 BPM | ||
| Doorman's Nightmare | Joel P West | A♭ Major | 2 | 4B | 98 BPM | ||
| オデッサの激戦 M-5 | 渡辺岳夫 | F Major | 4 | 7B | 116 BPM | ||
| Lonely Stranger | Laurie Johnson | A♭ Major | 2 | 4B | 86 BPM | ||
| 「怪獣総進撃」 マーチ | 伊福部昭, Japan Philharmonic Orchestra | F♯ Minor | 4 | 11A | 113 BPM | ||
| The Bridge to Iacon | Transformers | B Minor | 6 | 10A | 88 BPM | ||
| FALSE | Toshihiko Sahashi | C Major | 2 | 8B | 90 BPM | ||
| Godzilla Vs. MechaGodzilla: Main Title - From "Godzilla Vs. MechaGodzilla" | Ifukube | A Minor | 5 | 8A | 117 BPM | ||
| Record of a Living Being | Fumio Hayasaka | B♭ Major | 2 | 6B | 66 BPM | ||
| バロックワークス | 岩崎文紀 | C Major | 3 | 8B | 144 BPM | ||
| Gran-Arena | Falcom Sound Team jdk | A Major | 2 | 11B | 162 BPM |