Matty Tait's 'Tickets into Heaven' had a release date set for January 12, 2026. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Ticket into Heaven". In this album, this song's track order is #2. Based on our statistics, Tickets into Heaven's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Tickets into Heaven by Matty Tait having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forever Was A Little Longer | Curtis Grimes | G Major | 7 | 9B | 78 BPM | ||
| First Train to New Orleans | Rick Barnsby | F♯ Major | 8 | 2B | 131 BPM | ||
| Why Am I Here | Mike Fennell | E Minor | 7 | 9A | 160 BPM | ||
| Big Shoes to Fill | Richard Schroder | F♯ Major | 6 | 2B | 75 BPM | ||
| Until Forever Does | Sam Sagewood | A♭ Major | 2 | 4B | 141 BPM | ||
| Not in This Life Time | Sam Sagewood | E♭ Major | 3 | 5B | 146 BPM | ||
| You Had Me at Hello Again | Alex Bangor | E Major | 5 | 12B | 88 BPM | ||
| drag | Bad old days | A Major | 5 | 11B | 158 BPM | ||
| Whispers in the Dust | Eddy Crossroads | D♭ Major | 6 | 3B | 200 BPM | ||
| Neon Confessional | Mason Jar Moonshine | F♯ Major | 2 | 2B | 138 BPM | ||
| She Left Her Boots, Took My Heart | Cody Lane Jr. | B Major | 5 | 1B | 150 BPM | ||
| Some tavern in Missouri | Hank wheeler | E Major | 6 | 12B | 180 BPM | ||
| Somebody’s Nothing | Cory Michael Harris | A♭ Major | 6 | 4B | 144 BPM | ||
| Too Late to Start Again | Depleted Youth | E Major | 5 | 12B | 146 BPM | ||
| Holdin' On | Will Carter Band | C Major | 6 | 8B | 112 BPM | ||
| Gone Hunting | BDR Music | C Minor | 7 | 5A | 125 BPM | ||
| Backroads and Broken Dreams | Ash Reed | G Minor | 4 | 6A | 146 BPM | ||
| Choked On Her Drink | Hunter Dalton | B♭ Major | 5 | 6B | 148 BPM | ||
| Knee Mail | DIESEL | C Major | 2 | 8B | 89 BPM | ||
| Tangled Kites | Treble Maker | E Major | 4 | 12B | 146 BPM | ||
| Losing the Upper Hand | JJ Brown | B♭ Major | 9 | 6B | 152 BPM | ||
| Backroads and Barnlights | Barnlight Ramblers | F♯ Major | 4 | 2B | 85 BPM | ||
| Just As I Am | Mark Ware | D Major | 7 | 10B | 148 BPM | ||
| Always Leap | Caleb Boone | A Major | 6 | 11B | 157 BPM | ||
| The Lolita Express | Buck Tucker | F Minor | 4 | 4A | 119 BPM |