On March 1, 2007, the song "Hai Re Mora Kala Manika" was released by Kumar Bapi. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Hai Re Mora Kala Manika and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Based on our statistics, Hai Re Mora Kala Manika's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hai Re Mora Kala Manika by Kumar Bapi to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monalisa (Sambalpuri Album : Bhal Bhal Ta) | Old Sambalpuri | C Minor | 5 | 5A | 130 BPM | ||
| Sathie Pouti Bhogaru | Bhikari Bal | D♭ Minor | 10 | 12A | 112 BPM | ||
| Bada Dandare | Sricharan Mohanty | D♭ Minor | 6 | 12A | 84 BPM | ||
| Bhukh Lagi T Khiyawe Pari Pizza Raja Ji | Karina Pandey | B♭ Minor | 7 | 3A | 150 BPM | ||
| Sara Rati Nida Bhuli | Kumar Bapi, Sailabhama | A♭ Major | 8 | 4B | 100 BPM | ||
| Smruti Kebe Sita Sakala Ra | Ratikant Satpathy | F Major | 7 | 7B | 102 BPM | ||
| Jhuli Jhuli Asuchhe Maa Samalei | Satrughna Luha, Shailabhama | F♯ Major | 9 | 2B | 143 BPM | ||
| Bapa Ghare Jhia | Md. Aziz | C Minor | 9 | 5A | 116 BPM | ||
| Chandana Makhile | Sonu Nigam | D♭ Major | 7 | 3B | 120 BPM | ||
| Ahe Manima | Muna Aziz | F Minor | 7 | 4A | 111 BPM | ||
| Sindoora Nauchi | Suresh Wadkar | A♭ Minor | 6 | 1A | 81 BPM | ||
| Gaan Majhire Chandini | Md.Aziz | B Major | 5 | 1B | 149 BPM | ||
| Sun Salita | Sailabhama | G Minor | 9 | 6A | 107 BPM | ||
| To Aakhire Mun Mo Aakhire Tu | Nibedita | G Major | 10 | 9B | 134 BPM | ||
| Maa Ta Maa Mor Samalei | Santanu Sahoo | D♭ Minor | 8 | 12A | 174 BPM | ||
| Tora Saanta Panaku | Bhikhari Bala | F♯ Major | 8 | 2B | 111 BPM | ||
| Saante Ho.. | Anjali Mishra | A Minor | 8 | 8A | 148 BPM | ||
| Dhire Dhire Chal Gori | Mohammed Aziz | B Minor | 6 | 10A | 156 BPM | ||
| Kain Phula Ranga Tora Muhan Chandini | Kumar Bapi | A Minor | 8 | 8A | 162 BPM | ||
| Chanda Na Tame Tara | Udit Narayan, Tapu Mishra | E Major | 9 | 12B | 138 BPM | ||
| Devi Namaste | Dukalu Yadav | B♭ Major | 9 | 6B | 120 BPM | ||
| Bara Gachha Ohala | Anjali Mishra | G Minor | 8 | 6A | 73 BPM | ||
| Shree Mandira | Sricharan Mohanty, Biswajit Mohapatra, Goutam Giri, Bishnu Mohan Kabi, Abhijit Mishra, Shasank Sekhar Sahoo, Satyajeet Pradhan, Ashutosh Mohanty, Sabisesh Mishra, Samikshya Mishra, Lopamudra Dash, Arpita Choudhury, Rojalin Sahu, Diptirekha Padhi, Sohini Mishra | A♭ Minor | 9 | 1A | 84 BPM | ||
| Sita Lo Aaji Jaluchhi Jahara Chita Lo | T. Sauri | A♭ Minor | 4 | 1A | 178 BPM | ||
| Hari Jai Thiba | Akshaya Mohanty | C Minor | 5 | 5A | 78 BPM |