"After All That, It's Come to This (Featuring Amy Millan)" by Amos The Transparent had its release date on August 28, 2007. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 13 in Everything I've Forgotten to Forget by Amos The Transparent. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, After All That, It's Come to This (Featuring Amy Millan)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of After All That, It's Come to This (Featuring Amy Millan) by Amos The Transparent is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lindsay | Elliott BROOD | A Major | 8 | 11B | 151 BPM | ||
| As Soon as I Read Your Letter | The Revelator | C Major | 6 | 8B | 160 BPM | ||
| If One of Us Should Fall | The Slip | F Major | 6 | 7B | 133 BPM | ||
| Not Going Home | The Elected | B♭ Major | 8 | 6B | 88 BPM | ||
| Let's Talk About Spaceships | Say Hi | D Major | 5 | 10B | 146 BPM | ||
| Living Asleep | Fierce Bad Rabbit | C Major | 8 | 8B | 127 BPM | ||
| Come Back Home | The Professors of Sweet Sweet Music | E Major | 5 | 12B | 155 BPM | ||
| Permanent Vacation | Foreign Mornings | E Major | 9 | 12B | 136 BPM | ||
| Handshake The Gangster | Hey Rosetta! | D Major | 1 | 10B | 69 BPM | ||
| Peak of Her Power | Takeover | G Major | 8 | 9B | 172 BPM | ||
| Sultan | What Made Milwaukee Famous | A Minor | 10 | 8A | 138 BPM | ||
| Holy Shit (What A Relief) | Hey Rosetta! | G Major | 6 | 9B | 162 BPM | ||
| The Gift | Cathead | E Major | 5 | 12B | 93 BPM | ||
| Alone | Rob Bennett | A♭ Minor | 8 | 1A | 110 BPM | ||
| Soma | Kasador | G Major | 4 | 9B | 132 BPM | ||
| My Humble Home | Dan Schofield | E Minor | 7 | 9A | 122 BPM | ||
| W.Y.P. | Bryan Cooper | D Major | 9 | 10B | 160 BPM | ||
| Hallie And Henry | Say Hi | D Major | 8 | 10B | 140 BPM | ||
| Closure | The Revelator | G Major | 7 | 9B | 90 BPM | ||
| If All I Thought Were True | Attack in Black | B♭ Major | 2 | 6B | 115 BPM | ||
| Claws Pt. 1 | Typhoon | B♭ Major | 7 | 6B | 86 BPM | ||
| Constellation | Jim Bryson, The Weakerthans | B Major | 4 | 1B | 123 BPM | ||
| Leave Behind | RUSTED WAYZ | A Major | 6 | 11B | 130 BPM | ||
| Catharsis Caught | Dave Des | C Major | 6 | 8B | 95 BPM | ||
| Heartbreaker | Amos The Transparent | G Major | 8 | 9B | 149 BPM |