Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini's 'Overture No. 2 in F Major: VI. Menuett' had a release date set for June 30, 1995. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Veracini: Overtures and Concertos, Vol. 1 by Francesco Maria Veracini. The song's track number on the album is #11 out of 25 tracks. The popularity of Overture No. 2 in F Major: VI. Menuett is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Overture No. 2 in F Major: VI. Menuett by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini has a tempo of 167 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Overture No. 2 in F Major: VI. Menuett being at 167 BPM, the half-time would be 84 BPM with a double-time of 334 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
| Violin Sonata in E-flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: II. Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | F Minor | 1 | 4A | 81 BPM | ||
| Sonata for Keyboard and Flute in C Major, K. 14: II. Allegro | Wolfgang Amadeus Mozart, Marc Grauwels, Guy Penson | C Major | 1 | 8B | 104 BPM | ||
| Symphony in C Major, H. 649, Wq. 174: II. Andante | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | B♭ Minor | 1 | 3A | 112 BPM | ||
| Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio | Georg Philipp Telemann, Berliner Barock Solisten, Bernhard Forck, Rainer Kussmaul | G Major | 1 | 9B | 151 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto for Three Harpsichords, Strings and Continuo in D Minor, BWV 1063: II. Alla Siciliana | Johann Sebastian Bach, Bertrand Cuiller, Jean-Luc Ho, Pierre Gallon, Le Caravansérail | E Major | 2 | 12B | 103 BPM | ||
| Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Le Concert Spirituel, Herve Niquet | E♭ Major | 0 | 5B | 84 BPM | ||
| Concerto for mandolin, hammered dulcimer, harp, strings and basso continuo, TWV53:1: III. Vivace | Georg Philipp Telemann, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 91 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Violin Concerto in A Major: III. Allegro | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Minor | 1 | 11A | 56 BPM | ||
| Farnace, RV711: III. Allegro | Antonio Vivaldi, Höör Barock | F♯ Major | 4 | 2B | 88 BPM | ||
| Concerto for 2 Flutes in D Major, FWV L:D9: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Sien Huybrechts, Il Gardellino | G Minor | 0 | 6A | 130 BPM | ||
| Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | ||
| Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: VII. Largo Andante | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 130 BPM | ||
| Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM | ||
| Concerto for Violoncello and Orchestra in D major: V. Fuga | Leonardo Leo, Sol Gabetta, Andrés Gabetta | D Major | 2 | 10B | 152 BPM | ||
| Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 115 BPM |