Der Rosenkavalier, Op. 59 / Act 2: Introduction - "Ein ernster Tag" by Richard Strauss, Otto Wiener, Emmy Loose, Herbert Prikopa, Wiener Philharmoniker, Sir Georg Solti Song Details

Richard Strauss, Otto Wiener, Emmy Loose, Herbert Prikopa, Wiener Philharmoniker, Sir Georg Solti's 'Der Rosenkavalier, Op. 59 / Act 2: Introduction - "Ein ernster Tag"' had a release date set for January 1, 1969. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Der Rosenkavalier, Op. 59 / Act 2: Introduction - "Ein ernster Tag" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Der Rosenkavalier, Op. 59 / Act 2: Introduction - "Ein ernster Tag" by Richard Strauss, Otto Wiener, Emmy Loose, Herbert Prikopa, Wiener Philharmoniker, Sir Georg Solti having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -14.588 dB
Acousticness: 95%
Danceability: 33%
Energy: 42%
Instrumentalness: 2%
Liveness: 66%
Loudness: 76%
Speechiness: 5%
Valence: 30%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	2	10B	112 BPM
Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia	Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz	F Minor	1	4A	143 BPM
Ariadne auf Naxos / Prologue: "Ein Augenblick ist wenig"	Richard Strauss, Edita Gruberova, Julia Varady, Gewandhausorchester, Kurt Masur	E Major	1	12B	95 BPM
Symphony No. 1, Op. 9: I. Allegro ma non troppo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	D♭ Major	0	3B	106 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	G Major	1	9B	88 BPM
Symphony No. 2 in D Major, Op. 43: I. Allegretto	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	D Major	1	10B	117 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Die Fledermaus: Overture	Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber	G Major	1	9B	100 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	A♭ Major	0	4B	93 BPM
Academic Festival Overture, Op. 80	Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti	C Major	2	8B	73 BPM
Souvenir de Florence, Op. 70: III. Allegretto moderato	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D♭ Major	1	3B	82 BPM
Symphony No. 4: IV. Sehr behaglich	Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg	E Minor	1	9A	80 BPM
Recueil de chants, Op. 65: No. 6, Barcarolle	Charles-Valentin Alkan, Bruce Liu	G Minor	0	6A	70 BPM
Enigma Variations, Op. 36: Var. 8. Allegretto "W.N."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	0	9B	84 BPM
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): I. Act I. Opening - Interlude 1 - Interlude 2	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	D Minor	0	7A	141 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	141 BPM
Kinderszenen	Robert Schumann, Ivan Moravec	F Major	0	7B	131 BPM
Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto)	Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra	E Major	0	12B	65 BPM
Roland Furieux: II. Andante tranquillo	Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz	E♭ Major	1	5B	88 BPM
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra)	Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	C Minor	1	5A	100 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM