Richard Tee's ' "NO REAL WAY" was released on its scheduled release date, October 21, 1985. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "THE BOTTOM LINE". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. In terms of popularity, NO REAL WAY is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With NO REAL WAY by Richard Tee having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heartbeats | Hubert Laws | G Major | 7 | 9B | 93 BPM | ||
| Tequila Mockingbird | Ramsey Lewis | E♭ Major | 7 | 5B | 107 BPM | ||
| Concrete Swing | Funk Cartel | F Major | 7 | 7B | 102 BPM | ||
| Autumn | Gary Burton | D Major | 4 | 10B | 138 BPM | ||
| Day Way | Tom Scott And The L.A. Express | F Major | 7 | 7B | 113 BPM | ||
| Rush Hour | Yellowjackets | D♭ Minor | 7 | 12A | 126 BPM | ||
| Dancin' Feet | Oscar Peterson Quartet | B♭ Major | 4 | 6B | 132 BPM | ||
| Blue Too | John Tropea | C Major | 3 | 8B | 87 BPM | ||
| Long, Long Time | Seawind | D♭ Major | 4 | 3B | 91 BPM | ||
| I Don't Want You Anymore | Bill Champlin | B♭ Minor | 8 | 3A | 190 BPM | ||
| サンバ・ド・マルコス | Sadao Watanabe | F Minor | 7 | 4A | 123 BPM | ||
| Rio | The Doobie Brothers | C Major | 6 | 8B | 113 BPM | ||
| The Island Skyline | 杉本喜代志 | C Major | 8 | 8B | 101 BPM | ||
| You Blow My Heart Away | Toshiyuki Honda, Seawind | D Minor | 5 | 7A | 89 BPM | ||
| Teenager | Oscar Peterson Quartet | C Major | 6 | 8B | 114 BPM | ||
| ON THE STREET | Noriki | D Major | 6 | 10B | 136 BPM | ||
| Feet First | Lyle Mays | D Major | 4 | 10B | 120 BPM | ||
| New York | Dreams | G Minor | 7 | 6A | 130 BPM | ||
| Total Eclipse | Billy Cobham | D♭ Major | 6 | 3B | 100 BPM | ||
| Sky Islands | caldera, Dianne Reeves | D Major | 9 | 10B | 98 BPM | ||
| ONCE IN A BLUE MOON | CASIOPEA | E Minor | 4 | 9A | 139 BPM | ||
| Happy People | Paulinho Da Costa | A Minor | 6 | 8A | 80 BPM | ||
| RENDEZVOUS | Sadao Watanabe | A♭ Major | 7 | 4B | 108 BPM | ||
| Chanter | Gamos | G Major | 6 | 9B | 105 BPM | ||
| Never Satisfied | Michael Franks | B♭ Major | 4 | 6B | 111 BPM |