Ian Whitcomb, The White Star Orchestra's ' "Glow-Worm (studio)" was released on its scheduled release date, November 18, 2005. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Glow-Worm (studio)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Titanic: Music As Heard On The Fateful Voyage". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Glow-Worm (studio)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Glow-Worm (studio) by Ian Whitcomb, The White Star Orchestra having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way You Look Tonight | The Charleston Chasers | A♭ Major | 3 | 4B | 102 BPM | ||
| There Is a Tavern in the Town | The Dixieland All Stars | C Major | 3 | 8B | 100 BPM | ||
| Talking and Talking and Talking and... | Otto Rissanen, Mireia Costa Viladrich | E♭ Major | 3 | 5B | 185 BPM | ||
| Swedish Polka | Winifred Atwell, Honky Tonk Band | D♭ Major | 8 | 3B | 108 BPM | ||
| Its Only a Paper Moon | Paul Whiteman & His Orchestra | E♭ Major | 3 | 5B | 185 BPM | ||
| Vodka and Tonic | The Dukes Of Dixieland | B♭ Major | 6 | 6B | 96 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| L’Écho des Pas Manouches | Quintette du Hot Club de France, Ensemble de Jazz Manouche, Tchan-Tchou Vidal | E♭ Major | 3 | 5B | 185 BPM | ||
| Marble Laughter, Blue Goodbye | Bheto VN | B♭ Major | 2 | 6B | 110 BPM | ||
| Never Swat A Fly | McKinney's Cotton Pickers | F Major | 4 | 7B | 110 BPM | ||
| Forty Seven Ginger Headed Sailors | Jack Hylton & His Orchestra | B♭ Major | 3 | 6B | 124 BPM | ||
| Up A Lazy River | Si Zentner | E Minor | 7 | 9A | 158 BPM | ||
| The Dance Sequence | Original Soundtrack | C Major | 3 | 8B | 117 BPM | ||
| Wedding Dance | I Salonisti | E♭ Major | 2 | 5B | 172 BPM | ||
| Kitty from Kansas City | Rudy Vallee | D Major | 4 | 10B | 133 BPM | ||
| Jeeves And Wooster | Anne Dudley | E♭ Minor | 4 | 2A | 101 BPM | ||
| Groovy Day | Ian Whitcomb | C Major | 3 | 8B | 106 BPM | ||
| Black and White Rag | Jo Ann Castle | G Major | 3 | 9B | 120 BPM | ||
| Scarlatti Potion No.9 | Sounds Orchestral | B Minor | 2 | 10A | 82 BPM | ||
| Be My Baby | Ian Whitcomb | B♭ Major | 6 | 6B | 120 BPM | ||
| Lamballa | Melodia Norteña | G Minor | 0 | 6A | 84 BPM | ||
| Die Beschwipste Drahtkommode, 1/1 | Crazy Otto | D♭ Minor | 6 | 12A | 105 BPM | ||
| Shine on Harvest Moon | Mrs Mills | C Major | 4 | 8B | 116 BPM | ||
| When The Girls Go Marching In | Horst Jankowski | E♭ Major | 6 | 5B | 116 BPM | ||
| Wot Cher! (Knocked 'Em In the Old Kent Road) | Stanley Holloway | B♭ Major | 4 | 6B | 111 BPM |