"Bette Far" by Dan Romer had its release date on February 2, 2024. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Promised Land (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Bette Far is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bette Far by Dan Romer having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Devestation | Johan Söderqvist, Patrik Andrén | D Minor | 1 | 7A | 51 BPM | ||
| Battlefield One | Johan Söderqvist, Patrik Andrén | B♭ Minor | 3 | 3A | 140 BPM | ||
| Beyond the Great Plains | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Look What You've Done | Alfonso G. Aguilar | A♭ Major | 2 | 4B | 83 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| This Is Goodbye for Us | Dan Romer | B♭ Major | 2 | 6B | 140 BPM | ||
| First Steps | Frida Johansson, Henrik Oja | E Minor | 4 | 9A | 105 BPM | ||
| Afghan Trek | Theodore Shapiro, Mark Graham | A♭ Minor | 3 | 1A | 100 BPM | ||
| Two Thousand Miles | Gameloft, Nicolas Dubé | E♭ Major | 6 | 5B | 89 BPM | ||
| Into the Wilds | Andrew Prahlow | F Major | 4 | 7B | 100 BPM | ||
| Camp Approach | Chris Remo | B♭ Minor | 1 | 3A | 178 BPM | ||
| Straight On 'till Morning | Dan Romer, Benh Zeitlin | D Minor | 6 | 7A | 170 BPM | ||
| Orca | David Schweitzer | F♯ Major | 4 | 2B | 100 BPM | ||
| The TCBS | Thomas Newman | D Minor | 2 | 7A | 144 BPM | ||
| Flint's Determination | Mark Mothersbaugh | C Minor | 2 | 5A | 116 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| Eye for an Eye | Mac Quayle | A Major | 1 | 11B | 92 BPM | ||
| We're All Counting on You | Justin E. Bell | C Major | 1 | 8B | 146 BPM | ||
| Jodie's Suite | Lorne Balfe | C Major | 4 | 8B | 123 BPM | ||
| Walter Time | Theodore Shapiro, José González, Mark Graham | B Minor | 1 | 10A | 120 BPM | ||
| I Could Have Killed Him | Rupert Gregson-Williams | B Minor | 1 | 10A | 139 BPM | ||
| Sarah's Theme | Nathan Whitehead | F Major | 3 | 7B | 63 BPM | ||
| Main Intro Theme (From "Far Cry 5") | Baltic House Orchestra | A Minor | 3 | 8A | 108 BPM |