(6-27-11) June 27, 2011
Da Underdawgz, Chris Ward, E.S.G.
The 1st One Is For Pimp
5:15 July 17, 2012
BPM
140
Key
F♯ Minor
Camelot
11A

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(6-27-11) June 27, 2011 by Da Underdawgz, Chris Ward, E.S.G. Song Details

Da Underdawgz, Chris Ward, E.S.G.'s ' "(6-27-11) June 27, 2011" was released on its scheduled release date, July 17, 2012. This song is quite longer than the average track at 5 minutes and 15 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 18 in the song's album "The 1st One Is For Pimp". In this album, this song's track order is #15. Based on our statistics, (6-27-11) June 27, 2011's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With (6-27-11) June 27, 2011 by Da Underdawgz, Chris Ward, E.S.G. having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.786 dB
Acousticness
3%
Danceability
65%
Energy
95%
Instrumentalness
0%
Liveness
13%
Loudness
89%
Speechiness
28%
Valence
62%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records