"Uh-oh, We're in Trouble!?" by Ryuichi Takada had its release date on October 8, 2025. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Uh-oh, We're in Trouble!?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "TV Anime "The Dark History of the Reincarnated Villainess" Original Soundtrack". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Japan. In terms of popularity, Uh-oh, We're in Trouble!? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Uh-oh, We're in Trouble!? by Ryuichi Takada having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| はるかなる王宮 | Takashi Kako | C Major | 1 | 8B | 77 BPM | ||
| once | WOOK | A♭ Minor | 1 | 1A | 145 BPM | ||
| reason | blue lemon | G Major | 3 | 9B | 120 BPM | ||
| 想いと共に | Taro Iwashiro | G Major | 4 | 9B | 156 BPM | ||
| To The Ends of Our World - 2025 Live Version | 田尻真高, 東京シティ・フィルハーモニック管弦楽団 | F Minor | 3 | 4A | 79 BPM | ||
| Enigma | Toshifumi Hinata | F♯ Major | 3 | 2B | 67 BPM | ||
| Kaguya & Iroha | CONISCH | F Minor | 3 | 4A | 100 BPM | ||
| バロックワークス | 岩崎文紀 | C Major | 3 | 8B | 144 BPM | ||
| 奪われる研究 | Umitaro Abe | G Minor | 1 | 6A | 164 BPM | ||
| remind you | sound project | F Minor | 3 | 4A | 72 BPM | ||
| 92nd time | Yasuhiro Maeda | F Minor | 3 | 4A | 100 BPM | ||
| Beyond the Ring | The 1999 | F Minor | 3 | 4A | 100 BPM | ||
| オペ室の悪魔 | Hideakira Kimura | F Major | 0 | 7B | 120 BPM | ||
| Tiny Little Life - 2025 Live Version | 田尻真高, 東京シティ・フィルハーモニック管弦楽団, 合唱団「Barzz~鳥の吟遊詩人たち~®」, Hiroaki Tsutsumi | F Minor | 3 | 4A | 79 BPM | ||
| forever star | sound project | F Major | 2 | 7B | 135 BPM | ||
| The Moon | Salvatore Migliacci | G Major | 1 | 9B | 70 BPM | ||
| 企み | Kenji Kawai | D Major | 5 | 10B | 110 BPM | ||
| Starline | Konfusia Clayman, Konfusi Clayton | D Major | 2 | 10B | 180 BPM | ||
| Himeta Omoi | Kosuke Yamashita | F Minor | 2 | 4A | 65 BPM | ||
| Crescent Gildeth the Dark | HOYO-MiX | F Minor | 3 | 4A | 100 BPM | ||
| 可能性 | 阿知波大輔 | D Major | 2 | 10B | 64 BPM | ||
| Don't Stop Till You Get Enough | fly high | B♭ Major | 2 | 6B | 83 BPM | ||
| chaste | Red mango | E♭ Minor | 2 | 2A | 80 BPM | ||
| Regret | Ryuichi Takada | D Major | 2 | 10B | 107 BPM | ||
| Building Friendship | Nobuko Toda, Kazuma Jinnouchi, Joe Hisaishi | G Major | 1 | 9B | 76 BPM |