Janoska Ensemble's 'Souvenir pour Elise (Based on Beethoven's "For Elise")' had a release date set for August 5, 2022. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Big B's". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Austria. In terms of popularity, Souvenir pour Elise (Based on Beethoven's "For Elise") is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Souvenir pour Elise (Based on Beethoven's "For Elise") by Janoska Ensemble having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D♭ Major | 0 | 3B | 63 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Johannes Brahms, Baiba Skride, Lauma Skride | D Major | 2 | 10B | 129 BPM | ||
| 6 Gamle bygdevisur fra Lom, Op. 2 (version for violin and orchestra): No. 1, Andante [6 Old Village Songs from Lom] | Carl Gustav Sparre Olsen, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D Minor | 1 | 7A | 69 BPM | ||
| Roberta: Yesterdays (Arr. for Violin and Piano) | Jerome Kern, Janine Jansen, Antonio Pappano | B Major | 1 | 1B | 96 BPM | ||
| The New Four Seasons - Spring: II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
| Après un Rêve: Op. 7, No. 1 | Duo Arnicans | G Major | 1 | 9B | 86 BPM | ||
| 9 Symphonies in 9 Minutes (Paraphrase on Ludwig van Beethoven's 9 Symphonies) | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
| Fugato & waltz | Grégoire Hetzel, Petteri livonen, Daniel Garlitsky, Béatrice Muthelet, Cyrille Lacrouts | C Major | 2 | 8B | 81 BPM | ||
| Minuet in G Major Variation (After Notebook for Anna Magdalena Bach, BWV Anh.116, No. 7: Menuet in G Major) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | F Minor | 2 | 4A | 89 BPM | ||
| Suite Italienne: II. Serenata | Igor Stravinsky, Anastasia Kobekina, Jean-Sélim Abdelmoula | C Minor | 1 | 5A | 88 BPM | ||
| Üsküdar'a Gider Iken | Vienna Boys' Choir, Janoska Ensemble | D Minor | 4 | 7A | 124 BPM | ||
| Inside the Island | Quadro Nuevo | F Major | 2 | 7B | 103 BPM | ||
| Piano Concerto in One Movement: Andantino | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Minor | 1 | 7A | 129 BPM | ||
| Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Reflection No. 5 (With Surprises) | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 80 BPM | ||
| Era de maggio (Arr. for Violin & Piano by Tim Allhoff) | Pasquale Mario Costa, Andrea Cicalese, Tim Allhoff | D Minor | 2 | 7A | 73 BPM | ||
| Antoni Schnee | Herbert Pixner, Herbert Pixner Projekt, Tonkünstler Orchester, Herbert Pichler | G Minor | 3 | 6A | 72 BPM | ||
| Waltzing Matilda (Arr. Ray Chen for Violin) | Ray Chen | E Major | 1 | 12B | 82 BPM | ||
| Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 67 BPM | ||
| Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | ||
| Zefiro torna | Claudio Monteverdi, Jakub Józef Orliński, Aleksander Debicz, Wojciech Gumiński, Marcin Ułanowski, Madison Nonoa | A Minor | 7 | 8A | 130 BPM | ||
| Libertango | Die 12 Cellisten der Berliner Philharmoniker | D Minor | 3 | 7A | 153 BPM | ||
| Senryu | David Orlowsky, David Orlowsky Trio | D Minor | 1 | 7A | 82 BPM | ||
| Trio Sonata in D Minor, RV 63 "La Folia" (Perf. on Sheng, Viola & Double Bass) | Antonio Vivaldi, Wu Wei, Martin Stegner, Janne Saksala | C Major | 1 | 8B | 131 BPM |