John McCormack's 'When You and I Were Seventeen (Recorded 1925)' had a release date set for February 5, 2015. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. When You and I Were Seventeen (Recorded 1925)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Popular, Sentimental & World War I Songs (Encore 1) [Recorded 1914 - 1928]". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. When You and I Were Seventeen (Recorded 1925) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With When You and I Were Seventeen (Recorded 1925) by John McCormack having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Dream of the Big Parade | Peerless Quartet, Billy Murray | G Major | 2 | 9B | 82 BPM | ||
| Roamin' in the Gloamin | Kenneth McKellar | F Major | 5 | 7B | 178 BPM | ||
| Ode to a Gezira Lovely | Sods' Opera | F Major | 4 | 7B | 113 BPM | ||
| All The Nice Girls Love A Sailor | The Billy Watson Band & Singers | G Major | 8 | 9B | 117 BPM | ||
| Dixie | The Eric Rogers Chorale and Orchestra | E♭ Major | 7 | 5B | 106 BPM | ||
| The Tanks That Broke The Ranks - 1916 | Fanning & Fortune | G Major | 3 | 9B | 104 BPM | ||
| Let the Rest of the World Go By | Elizabeth Spencer, Charles Hart | G Major | 2 | 9B | 74 BPM | ||
| I'll Walk Beside You | Alan Murray, Edward Lockton, John McCormack | F♯ Major | 2 | 2B | 74 BPM | ||
| Scatterbrain | Carroll Gibbons And His Band | B♭ Major | 0 | 6B | 115 BPM | ||
| This Is a Changing World | Noel Coward | A Major | 0 | 11B | 45 BPM | ||
| The Dying Soldier | Sods' Opera | F Major | 4 | 7B | 113 BPM | ||
| 6 Songs, Op. 4 (text by a. Pushkin): 6 Songs, Op. 4: No. 4, Ne poy, krasavitsa, pri mne [Sing not to me, beautiful maiden] | Sergei Rachmaninoff, John McCormack, Fritz Kreisler, Edwin Schneider | D Minor | 1 | 7A | 101 BPM | ||
| They Were Only Playing Leapfrog | Fitzrovia Chorus, John Mealing | B♭ Major | 4 | 6B | 114 BPM | ||
| The Boys in the Back Room (Musique issue de la bande originale du film "Destry Rides Again") | Marlene Dietrich | F Major | 2 | 7B | 110 BPM | ||
| Desiderio - Schwanengesang, D. 957: Schwanengesang, D. 957: No. 4, Standchen (Serenade) | Franz Schubert, John McCormack, Fritz Kreisler, Vincent O'Brien | E♭ Minor | 2 | 2A | 71 BPM | ||
| Magnolia | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| The World Will Sing Again | Betty Driver | E♭ Major | 1 | 5B | 128 BPM | ||
| Will You Remember | Alice Green, Raymond Dixon | E♭ Major | 1 | 5B | 80 BPM | ||
| Hello, Hello, Who's Your Lady Friend | The Billy Watson Band & Singers | B♭ Minor | 7 | 3A | 124 BPM | ||
| Asthore | Clifton Bingham, Henry Trotere, John McCormack | G Major | 2 | 9B | 80 BPM | ||
| Horse Soldiers - The Girl I Left Behind | Charles Henderson | B♭ Major | 5 | 6B | 107 BPM | ||
| Armino: Pur dicesti, o bocca, bocca bella (take 1, unpublished on 78rpm) [arr. for voice and piano] | Antonio Lotti, John McCormack, Edwin Schneider | E Major | 1 | 12B | 106 BPM | ||
| Lorena | Tennessee Ernie Ford | D Major | 2 | 10B | 177 BPM | ||
| Twentieth Century Blues (Cavalcade) | Noel Coward | A♭ Major | 1 | 4B | 114 BPM | ||
| Leaning on a Lamp Post | George Formby | C Major | 3 | 8B | 137 BPM |