壷阪健登's 'さいなら Adiós' had a release date set for May 15, 2024. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of When I Sing by 壷阪健登. The song's track number on the album is #9 out of 9 tracks. Based on our data, Japan was the country where this track was produced or recorded. In terms of popularity, さいなら Adiós is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since さいなら Adiós by 壷阪健登 has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With さいなら Adiós being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anagnorisis | Dwiki Dharmawan, Gilad Atzmon | C Major | 3 | 8B | 141 BPM | ||
| Excuse | QUARTZ | D Minor | 2 | 7A | 96 BPM | ||
| No More Piano | Henning Ullén, Mats Sandahl, Nils Agnas | D♭ Major | 3 | 3B | 125 BPM | ||
| Protoevangelium (The First Gospel) | Joel Ross | E Major | 4 | 12B | 111 BPM | ||
| Siniy | Nicholas Mycio | E Major | 4 | 12B | 111 BPM | ||
| Pannonica | Joe Locascio | E♭ Major | 1 | 5B | 98 BPM | ||
| A Human Thirst | Martin Nodeland, Will Vinson, Erlend Kongtorp | D Major | 3 | 10B | 115 BPM | ||
| The Long Way Home | Danny Grissett | G Major | 5 | 9B | 130 BPM | ||
| Marcie | Pierre de Bethmann Trio | E Major | 4 | 12B | 111 BPM | ||
| Pasja | Makoto Ozone | E Major | 4 | 12B | 111 BPM | ||
| Clapham Junction | Florian Ross, WDR Big Band | B Major | 3 | 1B | 90 BPM | ||
| The Art of Letting Go | Suzan Veneman | A♭ Minor | 2 | 1A | 122 BPM | ||
| When I Sing | 壷阪健登 | G Major | 3 | 9B | 86 BPM | ||
| The Sacred Place | Joel Ross | E Major | 4 | 12B | 111 BPM | ||
| Ben | Xavi Torres, Ben van Gelder | G Major | 1 | 9B | 97 BPM | ||
| TIGER MARCH - LIVE 2025 | 松井 秀太郎, 壷阪健登, Shimpei Ogawa, きたい くにと | D♭ Major | 7 | 3B | 129 BPM | ||
| Pursuit | Mayuko Katakura | D Major | 4 | 10B | 106 BPM | ||
| METAMORPHO | Luca Mannutza, Paolo Recchia, Jordan Corda, Daniele Sorrentino, Sasha Mashin | A♭ Major | 4 | 4B | 106 BPM | ||
| Word for Word | Joel Ross | E Major | 4 | 12B | 111 BPM | ||
| You and the Lake and the Moon | Francesca Tandoi, Matheus Nicolaiewsky, Sander Smeets | F Major | 5 | 7B | 140 BPM | ||
| Imagine That | Tom Hemby, Pat Coil | E Major | 4 | 12B | 111 BPM | ||
| DECEMBER | Luca Mannutza, Paolo Recchia, Jordan Corda, Daniele Sorrentino, Sasha Mashin | G Major | 2 | 9B | 57 BPM | ||
| O Enorme Lago Escuro | Davide Logiri | A♭ Major | 1 | 4B | 77 BPM | ||
| The Shadowlands | Joel Ross | E Major | 4 | 12B | 111 BPM | ||
| Temporal Cubic - LIVE | Shun Ishiwaka, 高橋佑成, マーティ・ホロベック | D♭ Major | 4 | 3B | 96 BPM |