Accademia Bizantina's 'Concerto No. 2 In G Minor RV 578: I. Adagio E Spiccato (Vivaldi)' had a release date set for 2002. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: L'Estro Armonico op. 3, Vol. 1: Concertos Nos. 1-6 by Accademia Bizantina. The song's track number on the album is #4 out of 20 tracks. Based on our statistics, Concerto No. 2 In G Minor RV 578: I. Adagio E Spiccato (Vivaldi)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Concerto No. 2 In G Minor RV 578: I. Adagio E Spiccato (Vivaldi) by Accademia Bizantina has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto No. 2 In G Minor RV 578: I. Adagio E Spiccato (Vivaldi) being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
| Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 2. Contrapunctus 2 | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | D♭ Minor | 3 | 12A | 133 BPM | ||
| Overture No. 6 in G Minor: I. Allegro | Francesco Maria Veracini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 94 BPM | ||
| Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
| Sinfonia No. 10 in C Major: II. Andante | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Simphonia a 8 concertantio in A minor - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (3) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 3 | 1A | 126 BPM | ||
| Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | C Minor | 1 | 5A | 98 BPM | ||
| Les plaisirs de Versailles, H. 480: Overture | Marc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | F♯ Major | 1 | 2B | 112 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Concerto in F Major, S. 235: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 114 BPM | ||
| Ciaccona, Op. 12 No. 20 | Tarquinio Merula, Tafelmusik Baroque Orchestra, Elisa Citterio | C Major | 1 | 8B | 113 BPM | ||
| Cantata No. 35, BWV 35 "Geist und Seele wird verwirret" / Pt. 1: Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | D♭ Minor | 3 | 12A | 102 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement) | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 168 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Concerto in F Major, S. 235: III. Presto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 114 BPM | ||
| Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: IV. Allemande. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 117 BPM | ||
| Concerto No. 3 In G Major BWV1048 - Allegro | Jordi Savall, Johann Sebastian Bach | E Major | 0 | 12B | 75 BPM | ||
| Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Trio Sonata in C Major, DürG 13: IV. Gigue. Presto | Johann Gottlieb Goldberg, Florilegium | G Major | 1 | 9B | 95 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM |