On January 1, 2004, the song "La machine" was released by Emile Combes. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. La machine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 24 in Chansons révolutionnaires et sociales (Collection "Chansons de France") by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, La machine's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La machine by Emile Combes is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Je ne t'aime pas | Kurt Weill, Ute Lemper, RIAS Berlin Kammerensemble | G Minor | 0 | 6A | 97 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| H.leute | Heinrich Achleitner | E♭ Major | 1 | 5B | 71 BPM | ||
| Í dag skein sól | Stefán Islandi | G Major | 4 | 9B | 185 BPM | ||
| Quand l'amour meurt (From "Morocco") | Marlene Dietrich | E♭ Major | 1 | 5B | 71 BPM | ||
| Vous n'aurez pas l'Alsace et la Lorraine | Vive la France | D Major | 3 | 10B | 114 BPM | ||
| La mitraillette | Jacques Marchais, Vanessa Hachloum | E♭ Major | 7 | 5B | 144 BPM | ||
| Marie Suzanne | Les Prout | A Major | 3 | 11B | 138 BPM | ||
| Smiles | Lambert Murphy | B♭ Major | 1 | 6B | 74 BPM | ||
| It's Time for Every Boy to Be a Soldier | Charles H. Hart | A♭ Major | 2 | 4B | 115 BPM | ||
| Song of Pyongyang (DPRK Song) | North Korea | D♭ Major | 3 | 3B | 69 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Solidaritätslied (Vorwärts Und Nicht Vergessen) | Ernst Busch, Orchester Hanns Eisler | E♭ Minor | 3 | 2A | 140 BPM | ||
| Chausson: 2 Mélodies, Op. 36: No. 1, Cantique à l'épouse | Ernest Chausson, Gérard Souzay, Dalton Baldwin | E♭ Major | 1 | 5B | 71 BPM | ||
| Hymn of Bolshevik Party of the Urss | Soldier Chorus | E Major | 8 | 12B | 80 BPM | ||
| Norton: Chu Chin Chow, Act 2: Any Time's Kissing-Time (Alcolom, Ali Baba) | Frederic Norton, Michael Collins, Julie Bryan, Inia Te Wiata, Michael Collins Orchestra | E♭ Major | 1 | 5B | 71 BPM | ||
| Das Einheitsfrontlied | Hanns Eisler, Ernst Busch, Grigori Schneerson | F Minor | 5 | 4A | 112 BPM | ||
| La diva de l'Empire | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Samson And Delilah : Aria - Live | Klaus Nomi | B♭ Minor | 3 | 3A | 63 BPM | ||
| Die Dreigroschenoper: Anstatt-daß-Song | Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 100 BPM | ||
| Die Dreigroschenoper: Akt II, Die Ballade von der sexuellen Hörigkeit ("Da ist nun einer schon der Satan selber") | Kurt Weill, Trude Hesterberg, Wilhelm Brückner-Rüggeberg | C Minor | 1 | 5A | 76 BPM | ||
| Pilots [Piloty] (1944) | Yu Hochinsky, I. Gorin | F Minor | 6 | 4A | 112 BPM | ||
| Wo Bist Du Gewesen Vor Prohibition | Naftule Brandwein Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Molinos de Viento: Dúo y serenata: ¿Qué canto... | Marcos Redondo, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
| Do-Re-Mi - From "The Sound of Music" | Richard Rodgers, Vienna Boys' Choir, Peter Marschik | B♭ Major | 5 | 6B | 110 BPM |