- BPM
- 84
- Key
- D Major
- Camelot
- 10B
Come Down, O Love Divine (Arr. Michael Leighton Jones) by Ralph Vaughan Williams, Michael Leighton Jones, Richard Frederick Littledale, The Choir of Trinity College, Melbourne, Jonathan Bradley Song Details
"Come Down, O Love Divine (Arr. Michael Leighton Jones)" by Ralph Vaughan Williams, Michael Leighton Jones, Richard Frederick Littledale, The Choir of Trinity College, Melbourne, Jonathan Bradley had its release date on January 6, 2006. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 21 in Abide with Me: A Treasury of Classic Hymns by The Choir of Trinity College, Melbourne, Michael Leighton Jones. Come Down, O Love Divine (Arr. Michael Leighton Jones) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Come Down, O Love Divine (Arr. Michael Leighton Jones) by Ralph Vaughan Williams, Michael Leighton Jones, Richard Frederick Littledale, The Choir of Trinity College, Melbourne, Jonathan Bradley is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -14.756 dB
- Acousticness
- 94%
- Danceability
- 12%
- Energy
- 23%
- Instrumentalness
- 26%
- Liveness
- 8%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | |
 | Thine Be The Glory | The Daily Service Singers | B♭ Major | 2 | 6B | 117 BPM | |
 | O sacred head sore wounded | Johann Sebastian Bach, Cathedral Choral Society, Nicholas White, Gisele Becker | C Major | 1 | 8B | 167 BPM | |
 | Psalm 27 | Edward Cutler, Choir of St John's, Elora, Michael Bloss, Noel Edison | A♭ Major | 1 | 4B | 126 BPM | |
 | Mass in G Minor: 3. Credo | Ralph Vaughan Williams, Peter Campbell, Julien Robinson, Michael Leighton Jones, Kristy Biber, Timothy Reynolds, The Choir of Trinity College, Melbourne | E♭ Major | 3 | 5B | 57 BPM | |
 | Aurora Lucis Rutilat | Orlande de Lassus, The Choir of Trinity College, Melbourne, Michael Leighton Jones | B Major | 2 | 1B | 74 BPM | |
 | Exsultet | John Repulski, Karl Blume, John Strege | G Minor | 1 | 6A | 76 BPM | |
 | The Crucifixion: Hymn. The Adoration of the Crucified | John Stainer, Brian Kay, Margaret Philips, BBC Singers, Leith Hill Festival Singers | F Major | 1 | 7B | 128 BPM | |
 | Were You There? (Arr. Bob Chilcott) | Traditional, Bob Chilcott, Cantillation, Antony Walker | B Minor | 1 | 10A | 75 BPM | |
 | We Are Trav'ling on a Journey SHZ 547 | Laestadian Lutheran Church, Viena Kontkanen, Sheldon Ylioja | A Major | 1 | 11B | 170 BPM | |
 | O Praise Ye The Lord | Choir of St Mary's Cathedral, Edinburgh | B♭ Major | 1 | 6B | 97 BPM | |
 | The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | |
 | Lord of Earth and All Creation (Arr. Michael Leighton Jones and Christopher Gower) | Henry Purcell, Ernest Hawkins, Michael Leighton Jones, Christopher Gower, Honor Mary Thwaites, Michael Rayner Thwaites, The Choir of Trinity College, Melbourne, Jonathan Bradley | A♭ Major | 2 | 4B | 79 BPM | |
 | Immortal, Invisible God Only Wise | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | |
 | Psalm 110 "The Lord Said unto My Lord" | John Soaper, Ely Cathedral Choir, David Price, Paul Trepte | D Major | 2 | 10B | 93 BPM | |
 | God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | |
 | Humbly I Adore Thee, Hidden Deity | John Shaw, James Flores | D Major | 2 | 10B | 103 BPM | |
 | God of Mercy and Compassion | Irish Philharmonic Orchestra | F♯ Minor | 1 | 11A | 73 BPM | |
 | Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | |
| Glory Be to Jesus (Arr. Michael Leighton Jones) | Friedrich Filitz, Michael Leighton Jones, Edward Caswall, The Choir of Trinity College, Melbourne | F Major | 2 | 7B | 79 BPM | |
 | Solemn Vespers of a Confessor, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, The Choir of Trinity College, Melbourne, Michael Leighton Jones | B Major | 1 | 1B | 136 BPM | |
 | St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | |
 | Rhys | London Welsh Male Voice Choir, Edward-Rhys Harry, Annabel Thwaite | F Major | 2 | 7B | 84 BPM | |
 | Lord of the Dance (After J. Brackett's Simple Gifts) | Sydney Carter, Salisbury Cathedral Choir, John Challenger, David Halls | G Major | 1 | 9B | 61 BPM | |
 | St. Paul's Psalter: Haste Thee, O God, to Deliver Me (Psalm 70) | William Hine, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records