"Trailer Drop 6" by Matthew Naylor had its release date on January 3, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 70 in the song's album "Trailer Sound Design, Vol. 1". In this album, this song's track order is #46. Furthermore, we believe that the track originated from United Kingdom. Trailer Drop 6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trailer Drop 6 by Matthew Naylor having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can I Be Me | Siamese Youth | C Major | 8 | 8B | 130 BPM | ||
| Eyes of a Different Tide | Doublét Vision | F Minor | 9 | 4A | 128 BPM | ||
| Lose My Mind | Kenjra | F♯ Minor | 6 | 11A | 140 BPM | ||
| Corner Store Theology | Binary Saints | B Minor | 3 | 10A | 116 BPM | ||
| I Move On | Doublét Vision | A♭ Minor | 6 | 1A | 116 BPM | ||
| Broken Promises | Warwick | D♭ Major | 4 | 3B | 99 BPM | ||
| Try Once More | Ben Elson | A Minor | 4 | 8A | 92 BPM | ||
| Take Me There | Jonathan Monroy, Matthew Naylor | D♭ Minor | 8 | 12A | 145 BPM | ||
| Ruins | Origo, Halyn | A Minor | 7 | 8A | 124 BPM | ||
| Sempre | Midnight Walkers, Maria Antònia Roses | A Minor | 8 | 8A | 135 BPM | ||
| Precision | The New Division | A Major | 10 | 11B | 105 BPM | ||
| Thing For You | Oblique, Bunny X | F♯ Major | 6 | 2B | 180 BPM | ||
| And I Want You To Dance | Captain MET | C Major | 9 | 8B | 104 BPM | ||
| On Leaving 64 | Subshine | C Major | 1 | 8B | 128 BPM | ||
| Receiver | Tomas Bronco | C Major | 9 | 8B | 104 BPM | ||
| Solar Night | Bittersweet Dance Club, De/Vision, Chandeen | C Major | 9 | 8B | 104 BPM | ||
| The Best I Ever Had | Rogue Type | D♭ Minor | 6 | 12A | 130 BPM | ||
| This is a Picture of my Brain | Humanity for Cash | G Major | 7 | 9B | 160 BPM | ||
| Say No More | Mountain Head | B♭ Minor | 8 | 3A | 115 BPM | ||
| Suffering in Paradise | Lasse Lyx, Christine Smit | B Major | 6 | 1B | 174 BPM | ||
| Zero Gravity | ELFL | C Major | 10 | 8B | 180 BPM | ||
| Sundowning | Martin Hall | G Minor | 10 | 6A | 183 BPM | ||
| You Won | Torul | A Major | 6 | 11B | 119 BPM | ||
| Miss you | Moy & Rønbeck | C Major | 4 | 8B | 112 BPM | ||
| Bass Rise 7 | Matthew Naylor | F♯ Major | 0 | 2B | 125 BPM |