Ravindra Jain's ' "Taaranhaar Sunle Pukar" was released on its scheduled release date, January 1, 2007. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ravindra Jain's "Krishna Bhajan, Vol. 1 - Shyam Tere Kaam Bade Achraj Bhare" album is number 7 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Taaranhaar Sunle Pukar's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Taaranhaar Sunle Pukar by Ravindra Jain to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM | ||
| Jinka Ghar Ho Ayodhaya Jaisa | Suresh Wadkar | F♯ Major | 8 | 2B | 78 BPM | ||
| Mahara Khatu Wala Shayam | Tripti Shakya | A♭ Major | 4 | 4B | 122 BPM | ||
| Sacho tharo darbar - Live | Sanju Sharma | G Minor | 6 | 6A | 88 BPM | ||
| Muje Hai kam Ishwar se | NARAYANSWAMI | F Major | 5 | 7B | 95 BPM | ||
| Yam Aaega Saqi Bankar | Manna Dey | D♭ Minor | 1 | 12A | 68 BPM | ||
| Jaun Tehi Aaju Badhe Binu Aavaun | Satish Dehra | G Major | 2 | 9B | 100 BPM | ||
| Setu Adhar Banavan Laage (From "Lanka Kaand") | Ravindra Jain | B♭ Major | 1 | 6B | 76 BPM | ||
| Teri Palkon Ke Tale | Jaspal Singh | A♭ Major | 5 | 4B | 85 BPM | ||
| Kab Tak Rahenge Qaid Hum | Mumtaz Shanti, H Khan Mastana | D Minor | 2 | 7A | 68 BPM | ||
| Kasmein Ham Apni Jaan Ki Khaye | Anwar Hussain | E Minor | 9 | 9A | 171 BPM | ||
| Jane De Mohe Mathura Jana - 1 | Ravindra Jain, Satish Dehra, Chandrani Mukherjee | F Minor | 5 | 4A | 107 BPM | ||
| Tumhare Rooth Jane Se To | Asha Bhosle | F Minor | 5 | 4A | 138 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Dil Reh Gaya Hamara | Chandan Dass | A Major | 5 | 11B | 132 BPM | ||
| Main Is Masoom Chehre Ko | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 4 | 4B | 100 BPM | ||
| Do Dilon Ko Aise Mila Le | Nitin Mukesh, Preeti Sagar | G Major | 6 | 9B | 120 BPM | ||
| Likh De Piya Ka Naam Sakhi | Suman Kalyanpur | G Major | 4 | 9B | 128 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Ek Raja Ek Rani | Mahendra Kapoor, Hemlata, Rekha Rao, Hussain Bloch | A♭ Major | 6 | 4B | 125 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Mana Kanton Se Bhari | Mohammed Aziz, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 74 BPM | ||
| Meri Maut Pe | Roop Kumar Rathod | F♯ Major | 6 | 2B | 118 BPM | ||
| Manat Bhakti Ganeshachi | Sudesh Bhosle | G Major | 9 | 9B | 101 BPM | ||
| Daadiyun Bati | Narendra Singh Negi, Anuradha Nirala | D♭ Minor | 4 | 12A | 164 BPM |