Dinah Washington, Belford Hendricks Orchestra's 'What A Diff'rence A Day Made' had a release date set for November 4, 1997. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. What A Diff'rence A Day Made's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Ultimate Dinah Washington". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, What A Diff'rence A Day Made is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What A Diff'rence A Day Made by Dinah Washington, Belford Hendricks Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Can't Take That Away From Me | Mael Tormé, The Marty Paich Dek-tette | E♭ Major | 2 | 5B | 132 BPM | ||
| Fine And Mellow | Billie Holiday | F Major | 1 | 7B | 80 BPM | ||
| Beautiful Love | Anita O'Day | F Minor | 2 | 4A | 83 BPM | ||
| I Just Dropped By To Say Hello | Johnny Hartman | F Minor | 1 | 4A | 101 BPM | ||
| Cry | Johnnie Ray, The Four Lads | G Major | 1 | 9B | 70 BPM | ||
| Baby Won't You Please Come Home | Dinah Washington | G Major | 3 | 9B | 112 BPM | ||
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| Misty - Remastered | Dakota Staton | B Major | 0 | 1B | 119 BPM | ||
| Black Coffee | Sarah Vaughan | D♭ Major | 2 | 3B | 94 BPM | ||
| I Miss You So | Nat King Cole Trio | F Major | 1 | 7B | 76 BPM | ||
| My Funny Valentine - Rudy Van Gelder Remaster 2007 | Miles Davis Quintet | C Minor | 1 | 5A | 70 BPM | ||
| You Go To My Head | Billie Holiday | B♭ Minor | 2 | 3A | 67 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| You Belong To Me | Jo Stafford | F Major | 1 | 7B | 69 BPM | ||
| Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
| Bye Bye Blackbird | Etta Jones | C Minor | 3 | 5A | 126 BPM | ||
| All Of Me | Sidney Bechet | A Minor | 4 | 8A | 111 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| Words Can't Describe | Sarah Vaughan | D♭ Major | 1 | 3B | 66 BPM | ||
| Love Letters | Ketty Lester | F♯ Major | 2 | 2B | 128 BPM | ||
| Taking a Chance on Love | Jane Monheit | B♭ Minor | 4 | 3A | 173 BPM | ||
| Fly Me To The Moon | Astrud Gilberto | G Major | 3 | 9B | 134 BPM | ||
| Mountain Greenery | Kat Edmonson, Vince Giordano And The Nighthawks | E Minor | 4 | 9A | 168 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| Ain't Misbehavin' | Dinah Washington, Rudy Martin Trio | B♭ Minor | 1 | 3A | 79 BPM |